摄影档案 | Amelia Bauer

Amelia Bauer

American, b. 1979, based in New York, USA

Burned Over #1, 2012

Series One #2, 2010

Burned Over #6, 2012

Burned Over #8, 2012

Series One #6, 2010

Burned Over #3, 2012

Burned Over #5, 2012

Series One #1, 2010

Burned Over #7, 2012

Series One #9, 2010

Series One #3, 2010

To Increase Fertility, 2013

Invisibility, 2013

To See Spirits, 2013

For a Woman to Attract a Man She Desires, 2013

For a Man to Attract a Woman He Desires, 2013

For Confidence in Social Situations, 2013

For Protection from Evil, 2013

To Break a Spell You've Cast, 2013

For Safety in Travel, 2013

To Draw Money, 2013

Portrait With Headdress, 2017

A Hunter / A Blind, 2017

A Ghost (Standing), 2016

A Ghost (Portrait) , 2015

Quilt #2, 2016

A Medium, 2016

Portrait With Mask, 2016

Totem, 2016

Totem, 2016

The Hermit, 2017

Portrait (Seated)

Ghillie Suit, 2017

Explosion Pillow: Blood Diamond, 2009

Explosion Pillow:  The Departed, 2009

Explosion Pillow:  Dirty Mary Crazy Larry, 2009

Explosion Pillow:  The Godfather, 2009

 Explosion Pillow:  Groundhog Day, 2009

Explosion Pillow:  Jacob's Ladder, 2009

Explosion Pillow:  The Matador, 2009

Explosion Pillow:  Mission Impossible, 2009

Explosion Pillow:  Night Of The Living Dead, 2009

Explosion Pillow:  Syriana, 2009

Explosion Pillow:  Top Secret, 2009

Explosion Pillow:  Traffic, 2009

Explosion Pillow:  Zoolander, 2009

Explosion Pillows (install), 2009

Explosion Pillows (install), 2009

Explosion Pillows (install), 2009

醒芷笔记：

       

神秘气息是Amelia Bauer的作品最令我着迷的特质。

Amelia Bauer很擅长布置灯光和调控色彩，给自然营造精神性的、魔法的氛围，并视觉化她感受到的而不是看到的、想揭示又害怕完全揭示的东西，连接自然与人类文明。她拍摄的植物带有明显的人工加工痕迹，延续了美国的按人类意愿改造自然的传统，同时探询着该传统潜藏的心理的与历史的动机。

关于装饰性，她的理解也独树一帜。她认为明亮的花式爆炸和玻璃碎片是许多好莱坞电影的装饰性元素，所以把包含这些元素的、像绘画似的电影剧照印在十字绣布枕套上进行展示，强调其装饰性。

醒芷斋

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