波提切利牺牲了从马萨乔以来所发展的“透视带来的真实感”,在某种程度上回到了哥特式的风格,以一种近乎平面的线性装饰来达到他所希冀的视觉审美意味。为了使这眼目的趣味达到某种高度,在题材上他甚至不惜挑战当时的权威。波提切利在其后继者看来,那种“自我”是他们所崇敬的,却不知在其晚年因反叛而遭遇到的煎熬。我想,每一个离经叛道者背后一定都有一段煎熬史。在波提切利那里是两种文化——世俗与宗教——的纠葛与争战。对于我们来说已经很难理解了,也许我们只有回到他的作品和时代中才能有所体会吧。
The Birth of Venus
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波提切利牺牲了一些他当初下苦工取得成就,取得了一些效果。他的人物看起来立体感并不强,他的构图中的优雅动作和具有韵律的线条使人想起吉尔伯蒂和安吉利科修士的哥特式传统,甚至更早的14世纪的艺术……人物体态轻柔袅娜,衣饰精巧飘落。
——贡布里希《艺术的故事》
Adoration of the Kings
50.2 x 135.9 cm
oil on panel
~1470s
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Adoration of the Kings(细节大图)
The Birth of Venus
278.5 X 172.5cm
poplar wood, tempera
~1477
Florence, Galleria degli Uffizi
The Birth of Venus(Detail)
The Birth of Venus(Detail)
The Birth of Venus(Detail)
La Primavera (Spring)
203x 314cm
poplar wood, tempera
~1481-82
Spring)(Detail)
Spring)(Detail)
Spring)(Detail)
Spring)(Detail)
Spring)(Detail)
Spring)(Detail)
Spring)(Detail)
Venus and the Three Graces Presenting Gifts to a Young Woman
211 × 283 cm
Fresco, detached and mounted on canvas
~1483–86
Musée du Louvre, Paris
venus and mars
69 × 173 cm
Tempera on panel
~1485
National Gallery, London
·
波提切利为了达到轮廓线优美而更改了自然形象,增强了设计上的美丽与和谐。
——贡布里希《艺术的故事》
the story of Nastagio Degli onesti
138.5 x 82.5 cm
tempera on wood panel
~1483
Museo Nacional del Prado
the story of nastagio degli onesti
139 x 82.3 cm
tempera on wood panel
~1483
Museo Nacional del Prado
the story of Nastagio Degli onesti
83.5 x 142.5 cm
tempera on wood panel
~1483
Museo Nacional del Prado
Three Miracles of Saint Zenobius
64.8 x 139.7 cm
Tempera on wood
~1500s
The National Gallery
Four Scenes from the Early Life of Saint Zenobius
66 x 182 cm
tempera on wood panel
~1500s
Four Scenes from the Early Life of Saint Zenobius
66.7 x 149.2 cm
tempera on wood panel
~1500s
Three Miracles of Saint Zenobius
67.3 x 150.5 cm
tempera on wood panel
~1500s
four panels depicting the miracies of saint zenobius
tempera on wood panel
~1470s
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four panels depicting the miracies of saint zenobius(细节大图)
The Story of Lucretia
Tempera and oil on wood
83.8 × 176.8 cm
Isabella Stewart Gardner Museum, Boston
~1496–1504
the calumny of apelles62 x 91 cm
tempera on woodpanel
~1484-85
Galleria degli Uffizi
scenes from the life of moses
558 x 348.5 cm
poplar wood, tempera
~1481-82
Sistine Chapel
the temptation of christ
570 x 348.5 cm
tempera on wood panel
~1481-82
·
波提切利为了达到轮廓线优美而更改了自然形象,增强了设计上的美丽与和谐。他的画确实形成了一个完美和谐的图案。
——瓦萨里《著名画家、雕塑家、建筑家传》
Mary with the Child and Singing Angels
tempera on wood panel
~1478
National Museumof Berlin
Probably Alessandro Filipepi
Madonna and Child with St. John the Baptist
tempera on wood panel
55.6 × 74.2 cm
Louvre Museum, Paris, France
~1470–75
Madonna and Child with St. John the Baptist(detail)
Probably Alessandro Filipepi
Madonna and Child
tempera on wood panel
74.5 x54.5 cm
National Gallery of Art
~1470s
The Virgin Adoring the Child
tempera on poplar panel
58.9 × 58.9 cm
National Gallery ofArt
~1480s
madonna with the child
Tempera and oil on panel
40 x 58 cm
Museo Poldi Pezzoli, Milan
~1483
madonna with the Child and the baby san giovannino,angeli
tempera on wood panel
~1488
madonna with the Child and the baby san giovannino, angeli
madonna with the child
Tempera and oil on panel
~1480s
madonna with the child
Tempera and oil on panel
~1480s
madonna with the child
Tempera and oil on panel
~1480s
Probably Workshop of Sandro Botticelli
The Virgin and Child
83.2 x 64.8 cm
tempera onwood panel
~1485
The National Gallery
The Virgin Adoring the Sleeping Christ Child
tempera on wood panel
~1485
The Virgin and Child
tempera on wood panel
29.5 x 19.7cm
The National Gallery
~1485-1500
Probably Workshop of Sandro Botticelli
The Virgin and Child
88.9 x 55.9 cm
tempera on woodpanel
~1490s
Harvard Art Museums
Virgin and Child with the Young Saint John the Baptist
Tempera and oil on wood
68 × 68 cm
the Cleveland Museum of Art
~1490s
Madonna and Child with Adoring Angel
88.9 x 68 cm
tempera on wood panel
~1468
Norton Simon Museum
The Virgin and Child with Saint John the Baptist
95.3 x 94 cm
Tempera and oil on wood
~1482-98
The National Gallery
The Virgin and Child with Saint John and Two Angels
Tempera and oil on wood
114.3 x 113 cm
The National Gallery
~1490s
The Virgin and Child with a Pomegranate
tempera on wood panel
67.9 x 52.7 cm
The National Gallery
~1490s
The Virgin and Child with Saint John and Two Angels
Tempera and oil on wood
114.3 x 113 cm
The National Gallery
~1490s
Madonna of the Magnificat
143.5 × 143.5 cm
tempera on wood panel
~1483
Madonna and Child with Angels
oil and tempera on poplar panel
86.7 x 57.8 cm
National Galleryof Art
~1465-70
The Nativity
tempera on wood panel
Columbia Museum of Art (South Carolina)
~1473-75
Adoration of the Magi
111 cm × 134 cm
poplar wood, tempera
~1475
Florence, Galleria degli Uffizi
The Adoration of the Magi
tempera and oil on poplar panel
68 x 102 cm
National Gallery of Art
~1478-82
The Adoration of the Kings
Tempera on poplar
130.8 x 130.8 cm
The National Gallery
~1470-75
mystic nativity
108.6 x 74.9 cm
Oil on canvas
~1500
The National Gallery
The Bardi Altarpiece
185 x 180 cm
tempera on wood panel
~1484–85
San Marco Altarpiece
tempera on wood panel
378 x 258 cm
Florence, Galleria degli Uffizi
~1490-93
Annunciation
tempera onwood panel
~1490
Annunciation
tempera on wood panel
49.5 × 58.5 cm
Kelvingrove Art Gallery and Museum, Glasgow
~1490
Annunciation
19 x 31 cm
tempera onwood panel
~1485
Metropolitan Museum of Art
Annunciazione di San Martino alla Scala
243 x 555 cm
tempera on wood panel
~1481
Sandro Botticelli
tempera on wood panel
107 × 71 cm
Museo Poldi Pezzoli, Milan
~1490-95
The Mourning of Christ
tempera on wood panel
~1490s
Alte Pinakothek, Munich
Saint Francis of Assisi with Angels
tempera on wood panel
49.5 x 31.8 cm
The National Gallery
~1475-80
pallas and the centaur
148 x 207 cm
tempera on wood panel
~1482
pallas and the centaur (detail)
the return of judith to bethulia
24 x 31 cm
tempera onwood panel
~1472
the discovery of the murder of holophernes
63.5 x 77.5 cm
temperaon wood panel
~1472
Judith Leaving the Tent of Holofernes
tempera on wood panel
36 x 20 cm
Rijks museum, Netherlands, Amsterdam
~1495-1500
The Last Communion of Saint Jerome
Tempera and gold on wood
34.3 x 25.4 cm
The Metropolitan Museum of Art
~1490s
Christ on the Cross
tempera on wood panel
·
波提切利在画中绘制的头像美得难以描述,姿态各异,或正视,或侧视,或四分之三侧,或低垂,种种不一。老少表情各异,所有异乎寻常的效果充分表明了他的精湛技艺。无论敷色、勾勒或构图均令当时的匠人自叹莫及。
——瓦萨里《著名画家、雕塑家、建筑家传》
Christ Crowned with Thorns
tempera on wood panel
48 x 32 cm
Carrara di Belle Arti Bergamo Italy,Bergamo
~1500
Probably Workshop of Sandro Botticelli
Salvator Mundi
tempera on wood panel
57.2 x 34.9 cm
Harvard Art Museums
~1490s
The Thorn Crown of Christ
tempera on wood panel
~1500s
Saint George and the dragon
tempera on wood panel
65.7 cm × 41 cm
Location Victoria and Albert Museum, London
~1470s
portrait of a young man with a trecento medallion
58.7 x 39.4 cm
tempera onwood panel
~1474-75
Portrait of a Man with a Medal of Cosimo the Elder
tempera on wood panel
57.5 cm × 44 cm
Uffizi, Florence
~ 1474-75
Allegorical Portrait of a Woman
58.5 x 40.5 cm
tempera on wood panel
Private collection
Salvator Mundi
tempera on wood panel
54x 36 cm
National Museum of Berlin
~1478
Giuliano de' Medici
tempera on wood panel
~1478-80
Giuliano de' Medici
75.5 x 52.5 cm
tempera on wood panel
~1478-80
National Gallery of Art
Portrait of a Youth
43.5 x 46.2 cm
tempera on wood panel
~1482-85
National Gallery of Art
portrait of a young woman
35 x 47.5 cm
tempera on wood panel
~1480s
Portrait of a Woman
tempera on wood panel
49.5 x 35.6 cm
Private collection
~1480-1485
la bella simonetta
41 x 61 cm
tempera on wood panel
~1475
portrait of a woman
82 x 54 cm
tempera on wood panel
~1480-85
A Lady in Profile
tempera on woodpanel
59.1 x 40 cm
The NationalGallery
~1490s
Portrait of a Young Man
37.5 x 28.3 cm
tempera on wood panel
~1480-85
The National Gallery
Portrait of Lorenzo di Ser Piero Lorenzi
tempera on wood panel
50 x 37 cm
Philadelphia Museum of Art
~1490-1495
Portrait of Dante
54.7 x 47.5 cm
tempera onwood panel
~1495
Private collection
La Carte de l'Enfer
tempera on wood panel
~1482
part of the 8th circle of Hell. Dante and Virgil
32 x 47 cm
tempera on wood panel
~1482
·
桑德罗·波提切利(Sandro Botticelli;Alessandro Filipepi 1446-1510)是15世纪末佛罗伦萨的著名画家,欧洲文艺复兴早期佛罗伦萨画派的最后一位画家。受尼德兰肖像画的影响,波提切利又是意大利肖像画的先驱者。在15世纪80-90年代,他是佛罗伦萨最出名的艺术家。人文主义思想明显,充满了世俗精神。后来的绘画中又增加了许多以古典神话为题材的作品,多为古希腊与罗马神话题材。风格典雅、秀美、细腻动人。他的反叛精神对以后绘画产生了极大的影响。《春》和《维纳斯的诞生》是最能体现他绘画风格的代表性作品。
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