摘 要:文章介绍了我国民族管弦乐队中吹管乐、弹拨乐、拉弦乐、打击乐声部的常规乐器配置以及乐器的基本音响特征。从乐器的声学性质着手，揭示了民族乐器所谓音响极富“个性”的缘由。验证了现有民族管弦乐队中部分配器法则的合理性，并进一步解释说明了单一乐器在配器过程中的使用“宜忌”。关键词:民族乐器；音响特征；配器；频谱；声学中图分类号:J632文献标识码:A文章编号:1002-9923（2023）04-0016-14DOI:10.13812/j.cnki.cn11-1379/j.2023.04.002作者简介:静恩涛（1989— ），男，汉族，中国音乐学院2021级博士研究生在读。基金项目:本文为2017年度国家社会科学基金艺术学一般项目“中西管弦乐器声学特征的比较研究”（项目编号：17BD082）的阶段成果。Abstract: This article presents an overview of the instrument configuration and fundamental acoustic characteristics of the Wind, Plucked, String, and Percussion sections in the Chinese symphony orchestra. By considering the acoustic properties of these instruments, the article sheds light on the profound 'personality' evident in the sound of national musical instruments. It substantiates the validity of certain orchestration principles applied in Chinese symphony orchestras and provides additional insights into the appropriateness and limitations of utilizing individual instruments for orchestration.Keywords:Chinese National Musical Instrument; Sound Characteristics; Orchestration; Frequency Spectrum; Acoustics
