At last year's Venice Art Biennale, one of the standout installations involved a full-size wax replica of Giambologna's 16th-century sculpture The Rape of the Sabine Women .在去年的威尼斯双年展，全尺寸的蜡副本的Giambologna的16世纪的雕塑， 抢夺萨宾妇女参与的杰出装置之一。 Even more intriguing was that an "everyday" man wearing glasses stood facing the sculpture.更有趣的是，“日常”的男子，戴眼镜站在面临的雕塑。 Like giant candles, both slowly burned to the ground, melting minute by minute.巨大的蜡烛一样，都慢慢夷为平地，一分钟一分钟融化。 On Fischer's website, you can find photos by Stefan Altenburger that show the amazing progression.费舍尔的网站上，你可以由Stefan Altenburger找到的照片，显示了惊人的进展。 By capturing this dramatic melting, Fischer makes us think about the inevitable passage of time. Guardian writer Jonathan Jones, who experienced this installation himself, said it best , "Fischer's candle-man haunted me later when I was walking the decaying streets of Venice. It will haunt me for a long time. It is a beautiful, funny, frightening emblem of time's fatal arrow."通过捕捉这个戏剧性的融化，菲舍尔使我们想起有关的时间必然通道。 监护人作家乔纳森·琼斯，谁经历过这个安装自己， 说最好 ，“菲舍尔的蜡烛的人困扰我后来当我是走威尼斯的腐烂街头。它会困扰我很长一段时间，这是一个美丽的，有趣的，可怕的会徽时间的致命箭头。“
