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美国海报插画师、画家罗尔夫·阿姆斯特朗（Rolf Armstrong，1889年至1960年）于1889年出生于密歇根州的贝城。他的父亲拥有一条湖泊航线，当时他还是个孩子。当他从小就认为利用他的艺术才能帮助他的母亲获得经济利益是很好的。
他的作品出现在当时几本杂志的封面上，1919年，他被 Brown 和 Bigelow 聘用，并成为日历的主要设计师。在1920年至1930年期间，他的作品出现在许多音乐剪辑出版物上，以及许多杂志的封面上。几位一流的明星成为他的肖像画素材，包括像 Mary Pickford，Greta Garbo，甚至 Boris Karloff这样的人 - 这些年来的真正神话。
阿姆斯特朗为画报的工作主要负责该杂志获得成功，该杂志于1926年发行量超过200万册！一个很好的结果。许多出版物很快开始要求他的作品，他的艺术被用于各种新闻广告活动。一年后，出售给艺术日历最多的是布朗和比奇洛的签名。
在他职业生涯的剩余时间里，成功继续。1930年，RCA雇用他画出优雅精致的画面，目的是宣传他们的产品。1933年，托马斯·墨菲提出了一份合同，制作了一系列旨在提升其产品线的画作。
罗尔夫·阿姆斯特朗于1960年在夏威夷瓦胡岛逝世，成为20世纪上半叶最好的“炙手可热的艺术家”之一。
Rolf Armstrong, an American poster illustrator and painter, was born in Baytown, Michigan in 1889. His father owned a lake route when he was a child. When he was young, he thought it was good to use his artistic talent to help his mother get financial benefits.
His works appeared on the covers of several magazines at that time. In 1919, he was published Brown and Bigelow were hired and became the main designers of the calendar. Between 1920 and 1930,
his works appeared in many music editing publications and on the covers of many magazines. Several first-class stars became his portrait material, including people like Mary Pickford, Greta Garbo, and even Boris Karloff - the true myth of all these years.
Armstrong's work for pictorial was mainly responsible for the success of the magazine, which had a circulation of more than 2 million copies in 1926! A good result. Many publications soon began to demand his works,
and his art was used in various News advertising campaigns. A year later, the biggest sellers of art calendars were the signatures of brown and Bigelow. For the rest of his career, success continued. In 1930,
RCA hired him to paint elegant and exquisite pictures to promote their products. In 1933, Thomas Murphy offered a contract to produce a series of paintings aimed at upgrading his product line.
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