书名：Provoke: Between Protest and Performance挑衅：抗议和表现之间
定价: 928元 现价：480元
出版社名称: Steidl
出版时间: 2016/4/18
开本: 250 x 190
书名: Provoke: Between Protest and PerformanceISBN
编号: 9783958291003

The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country’s first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively 'poor' materials. The writings and images by Provoke's members―critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama―were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators. Illuminating the various uses of photography in Japan at the time, the catalogue focuses on selected projects undertaken between 1960 and 1975 that offer a strongly interpretative account of currents in Japanese art and society at a moment of historical collapse and renewal.
短命的日本杂志挑起被确认为在世界摄影的战后时代的一个重要成就，团结该国最有争议的例子，抗议摄影，前卫艺术，和批判理论，20世纪60年代末和70年代初，只有三个问题。因此，在这里被视为一个模型合成的复杂性和重叠的使用，在战后日本的挑衅。通过激起的成员–评论家Koji Taki，诗人Takahiko Okada，摄影师Takuma Nakahira，Yutaka Takanashi的写作和图片，森山大道–充满了战术了一些日本的抗议书，使用了创新的图形设计和挑衅的“穷人”的材料。记录生活的行为，在这些年摄影也适合强调和批判现代生活的神话与广泛的表演艺术家如Nobuyoshi Araki的一种表现形式，Koji Enokura和Jiro Takamatsu。这目录是伴随着有史以来第一次关于该杂志及其创作者的展览，并侧重于它的历史背景。它涵盖了最初的时期，导致其第一个和最后一个问题后，它的最后一个问题。在历史的崩溃和重建的时刻，日本艺术和社会中的电流的一个强烈的解释性解释激怒了。