Honesty is the value of speaking truth and creating trust in minds of others. This includes all varieties of communication, both verbal and non-verbal. Honesty implies a lack of deceit. A statement can be strictly true and still be dishonest if the intention of the statement is to deceive its audience. Similarly, a falsehood can be spoken honestly if the speaker actually believes it to be true.
Honesty is typically considered virtuous behavior, and has strong positive connotations in most situations. A principal reason for this may be that honesty simplifies communication, in that honest statements can be trusted at face value, not necessarily as true, but as genuinely believed. Additionally, honesty helps to form bonds of trust in human relationships.
Conversely, dishonesty can be defined simply as behavior that is performed with intent to deceive. Lying, lying by omission, fraud, and plagiarism are all examples of this sort of behavior. Other examples can be doing one thing and telling the other, as if you are hiding something.
While there are a great many moral systems, generally speaking, honesty is considered moral and dishonesty is considered immoral. There are several exceptions, such as hedonism, which values honesty only insofar as it improves ones own sense of pleasure, and moral nihilism, which denies the existence of objective morality outright. Additionally, even in moral systems which approve in general of honesty over dishonesty, there are situations in which dishonesty may be preferable. A common example is a "white lie", a lie which is told in a situation where telling the truth would have served no purpose and would have caused pain. While they are dishonest, the motivation behind the deception is the avoidance of suffering, rather than personal gain or the evasion of responsibility common in many other forms of dishonesty, and so white lies often are viewed, if not as completely moral, then at least less immoral than other types of lies.
The theatrical genre can be simply described as a dramatic performance which pits two societies against each other in an amusing agon or conflict. Northrop Frye famously depicted these two opposing sides as a "Society of Youth" and a "Society of the Old,"[2] but this dichotomy is seldom described as an entirely satisfactory explanation.
A later view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes; in this sense, the youth is understood to be constrained by his lack of social authority, and is left with little choice but to take recourse to ruses which engender very dramatic irony which provokes laughter.[3]
Much comedy contains variations on the elements of surprise, incongruity, conflict, repetitiveness, and the effect of opposite expectations, but there are many recognized genres of comedy. Satire and political satire use ironic comedy to portray persons or social institutions as ridiculous or corrupt, thus alienating their audience from the object of humor. Satire is a type of comedy.
Parody borrows the form of some popular genre, artwork, or text but uses certain ironic changes to critique that form from within (though not necessarily in a condemning way). Screwball comedy derives its humor largely from bizarre, surprising (and improbable) situations or characters. Black comedy is defined by dark humor that makes light of so called dark or evil elements in human nature. Similarly scatological humor, sexual humor, and race humor create comedy by violating social conventions or taboos in comedic ways.
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