映月-山水
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枫桥县是浙江省诸暨市的一座千年古镇，因有“古越建都”、“枫桥三贤”之称，在历史上成为诸暨市东北部的文化中心。1962年的“枫桥经验”在全国被誉为社会基层治理的典范。
Fengqiao, a thousand-year-old town in Zhuji, Zhejiang Province, has become a cultural center in the northeastern part of Zhuji in history due to the “Gu Yue Jian Du” and “Fengqiao Sanxian”. The 'Fengqiao Experience' in 1962 is known throughout the country as a model for social grassroots governance.
鸟瞰图
2015年，最初枫桥镇政府业主要求建筑师对枫桥镇古镇进行改造。在研究过程中，建筑师经常把自己想象成古镇未来的游客。我想古镇就是这样的。我想去看看枫溪的那座旧桥。
我想了想，有一天，我突然想起，每当我来到这个古镇，我就像寻宝一样穿过街道。一般来说，要意识到这可能是个问题。因此，为地理位置较差的古镇创建入口试验区，成为业主一致的想法。
In 2015, the architect was originally asked by the government owners of Fengqiao Town to do the renovation of Fengqiao Ancient Town. During the research, the architects often think of themselves as tourists in the future of the ancient town. I think the old town of Guzhen is like this. I want to think about the old bridge in Fengxi. I think about it. One day, I suddenly remembered that every time I came to the ancient town, I walked through the street like a treasure hunt. In general, realize that this can be a problem. Therefore, creating an entrance pilot zone for the ancient town with a difficult location has become an idea that coincides with the owners.
奇怪形状的用地红线
建筑-古镇-山水
织补-扭曲的形状，诗歌和平衡
在小镇上盖房子和在城市里不一样。在城市，建设项目的起点可能是一张红线图。土地面积和土地边界以黑白两色清晰地显示。我们面前的任务是在一个建筑密集的区域。找到土地的易用性在这之间找到最优的解决方案。
Building a house in a small town is different from the city. In the city, the starting point of the construction project is probably a red line map. The land area and the boundary of the land are clearly displayed in black and white. The task before us is in a densely built area. Find the optimal solution between the ease and the ease of use of the land.
城郭参差里，烟树有无中
主庭院
经过与业主的思考和讨论，慢慢出现了一块形状奇特的土地:南侧紧邻我们刚刚改造的孝义老街，北侧紧邻当地的“母亲河”枫溪，东西两侧。这是一座大小不一的现有建筑。
After thinking and discussing with the owners, a strangely shaped land slowly emerged: the south side is close to the Xiaoyi Old Street that we have just renovated, and the north side is adjacent to the local “Mother River” Fengxi, both sides of the east and west. It is an existing built-up building with different sizes.
从城市经过水面，转换心情，进入主庭院
我们没有选择从当地最大的交通路线直接切入古镇，而是选择了这里。
1.我们认为，以水、桥和渡古镇的方式进入古镇是富有诗意的；
2.古镇与孝义老街焕发出勃勃生机；
3.这里有几栋废弃的公房，它们不仅占用了土地，阻碍了小规模的建设，而且拆除的新建筑也可以作为废物使用。
与此同时，还有几个扰乱人们生活的木石作坊。采取这些措施也有利于人民。
We did not choose to cut directly into the ancient town from the largest local transportation route, but chose it here for three reasons: 1. We believe that it is poetic to enter the ancient town in the way of water, bridge, and crossing the ancient town; The ancient town and Xiaoyi Old Street renewed their vitality with each other; 3. There are several abandoned public houses here, which not only take the land to hinder the small, but also the demolition of the new construction can be used as waste. At the same time, there are also several wood stone workshops that disturb the people. Taking them is also a benefit to the people.
另一个方向看主庭院
枫溪边的广场
这种土地形态再次提醒我们，这是一个小镇的设计。
没有宽阔的车道，也没有广场。我们所要做的就是去适应这个城市的肌理，以最谦卑的态度融入这个城镇。
不仅如此，对于已经密集的区域，当它同时放置并留白时，也是对空间的一种织补和改进。
This kind of land shape reminds us once again that this is a design in a small town. There is no wide driveway and no square land. What we have to do is to fit the texture of the town and integrate it into the town with the most humble attitude. Not only that, but for the already dense areas, it is a darning and improvement of space when it is placed at the same time and left blank.
枫溪边的广场，人们拍照留念
激活-解决缺乏公共空间的问题
古镇的入口，如果它只能进入古镇，这个结果是令人失望的。枫桥古镇及其周边城市肌理极度缺乏居民的公共空间。
The entrance to the old town, if it can only be the entrance to the ancient town, this result is disappointing. The ancient town of Fengqiao and the surrounding urban texture are extremely lacking in the public space of the residents. We hope that this project can answer this question.
枫溪边的广场，新年的民俗节
微微发光的石头盒子
在孝义老街，我们有一个主广场，周围有一个聚会，欢迎来自四面八方的客人。这个空间通过水面与城市隔开。在客人进来之前，他们需要爬上一座稍微隆起的桥，然后过河。跨过物质的桥梁，也完成了情绪的转换。
在主广场的东侧，也有“映月”的重要意图，不仅加强了诗意的氛围，也成为了游客和城镇居民的拍照点。
For Xiaoyi Old Street, we have a main square surrounded by a party, which welcomes guests from all directions. This space is separated from the city by a water surface. Before guests come in, they need to go up a bridge with a slight uplift and cross the water. Cross the physical bridge and also complete the mood conversion. On the east side of the main square, there is also an important intention to “reflect the moon”, which not only strengthens the poetic atmosphere, but also becomes a photo punching point for tourists and residents in the town.
石头盒子的院落
连廊与院落
面对枫溪，我们自己创造了另一个半封闭的广场和相邻的老房子和拱门。这个水边广场已经成为凤溪两岸道路上罕见的“虚拟”空间，同时也承载着古镇日益增加的人流。人们环顾四周，或休息，或以古镇为背景拍照。项目建成后的第一年，当地的民俗活动在这里举行，为当地人民提供了一个好地方。
Facing Fengxi, we created another half-enclosed square by ourselves and the adjacent old houses and arches. This waterside square has become a rare “virtual” space along the roads on both sides of Fengxi, and at the same time it has taken on the increasing flow of people in the ancient town. People look around, or rest, or take photos with the ancient town as a backdrop. The first New Year after the project was completed, the local folklore activities were held here, providing a good place for the local people.
连廊与院落
该项目的功能，不仅仅是接待游客，还包括展览、商业、小型会议等功能，可以看作是对城镇公共设施的补充。
The project's functions, not just the reception of tourists, but also the functions of exhibitions, commerce, and small meetings can be seen as complementary to the public facilities in the town.
檐口细节
寻找意义——传统建筑精神的意境
在院子的中央，我们把一个玻璃盒子放在水上。把它放在一块石纱布上，在水面上切一个半圆形的洞，一个明亮的月亮就会反射到水面上。中国古镇应该有月亮。
In the center of the courtyard, we put a glass box on the water. Put it on a stone gauze, cut a semi-circular hole on the surface of the water, and a bright moon will be reflected on the water. The Chinese town of Guzhen should have a moon.
立面细节
石头做的纱衣
枫桥不仅有古镇，还有山和水。盒子的表面，有意添加山和水，在夜晚，石头上的光线流露出一丝微光。
除了即时的诗意，还有一种氛围。古镇入口的氛围，我们用传统建筑的意境来传达，不同的位置对应着不同的意境，或明或暗，各有其意义。
Fengqiao not only has ancient towns, but also mountains and water. The surface of the box, the intention to add mountains and waters, at night, the light in the stone reveals a slight light.
In addition to the instant poetry, there is still an atmosphere. The atmosphere of the entrance to the ancient town, we use the artistic conception of traditional architecture to convey, different positions correspond to different artistic conception, or obvious or hidden, each has its meaning.
框景
结束
在五栋建筑中有两栋已经完成结构顶盖的情况下，业主听说为了应对“枫桥体验”55周年，高层领导想把整个古镇入口区域改造成枫桥。
体验展厅，功能不再是古镇的入口区域。设计团队临时调整了方案，增加了建筑之间的室内走廊。
在保持原有入口区域整体风貌的前提下，与土建、展示团队、景观建设紧密配合，同时进行设计与施工，最终如期完成。成功举行。
In the case that two of the five buildings have been structurally topped, the owner has heard the news that in order to cope with the 55th anniversary of the 'Maple Bridge Experience', the higher leaders want to turn the entire ancient town entrance area into Maple Bridge. Experience exhibition hall, function is no longer the entrance area of the ancient town. The design team temporarily adjusted the plan and added the indoor corridor between the buildings. Under the premise of maintaining the general appearance of the original entrance area, it closely cooperated with the civil construction, exhibition team and landscape construction, while designing and constructing, and finally completed as scheduled. Successfully held.
传统与现代的平衡
项目区位
首层平面图
立面图
立面分析图
建筑师：UAD
地点：浙江 绍兴 枫桥
类别：展览中心
设计总负责：莫洲瑾
项目负责人：王玉平
建筑设计：郭丽栋、江哲麟、孙云佳
面积：5687.0平方米
年份：2018
摄影：赵强、山嵩
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