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FASHIONING FOOD WASTE

If today’s sustainability mantra is “from 
farm to fork,” tomorrow’s could be “from 
farm to fashion.” That’s because, for a 
growing cadre of eco-minded designers, 
food waste is the new black.
Sacha Laurin’s medium of choice is 
the bacterial “colony” left after brewing 
the tart, fermented tea known as kombu-
cha. Once dried, the material becomes a 
rather pungent faux leather, which the 
California designer sews into haute cou-
ture dresses (right), jackets, skirts, and 
more. In Sicily, a start-up is working with 
discarded citrus peels, seeds, and other 
juicing by-products to produce a silky 
yarn. And a London company is helping 
support Filipino pineapple farmers by 
turning the plants’ unused leaves into 
a textile that can be crafted into shoes, 
bags, and laptop computer cases.  
More than a billion tons of food is lost 
or wasted every year globally, according 
to the UN Food and Agriculture Organi-
zation, some of it the result of large-scale 
production. This excess o?ers an oppor-
tunity to create a range of sustainable 
fabrics, says University of Leeds textile 
chemist Richard Blackburn, such as a 
renewable polyester from the sugar in 
surplus crops, including corn. 
Kombucha apparel is not yet com-
mercially available. But it is scienti?cally 
viable, says Australian biochemist Peter 
Musk, who oversees college art students 
working with the tea. If they have any-
thing to do with it, the drink could one 
day be coming to a closet near you.
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