Minerva Cuevas（b. 1975）是一位观念艺术家，出生于墨西哥城。她通过介入日常消费的物体和图像，来重新思考企业在食品生产和自然资源管理中所扮演的角色。她的作品涵盖了绘画、录像、摄影、雕塑和装置，支持调查渗透到某些社会和经济联系中的政治和权力关系。通过将人类学、产品设计和经济学的元素结合在一起的跨学科项目，Cuevas探索了干预博物馆、画廊和城市空间的不同方式。她挪用企业的语言来呈现不合格和抵制的信息，反思当地行动对产生公平劳动实践和经济再分配的潜在影响。
“我认为我所有工作的主线都与社会和政治研究有关。”——Minerva Cuevas
better “salad” for john mcadam (shell), 2023, vintage magazine advertisement, 18.11 x 14.57 x 1.57 in. framedeach minute humble provides the energy of 5 avalanches - to move america’s freight (enco), 2023, vintage magazine advertisement, 18.11 x 24.8 x 1.57 in. framedhe’ll “walk the go-devil” no longer (shell), 2023, vintage magazine advertisement, 18.11 x 14.57 x 1.57 in. framedThe trust, 2022-23, wall relief; PVC board, Foamurat, acrylic paint, 12.5 x 3.5 mTlazoltéotl Priest, 2022-2023, Foamular, acrylic paint, and financial newspapers, 119.5 x 72 x 92 cm作为土生土长的墨西哥城人，她的作品以社会问题为探讨主题，质疑政治角色的构建和公共空间的意义。她的实践植根于社会参与的激进主义，通过涉及品牌重塑、干预公共空间和探索动物权利等方式，呈现出对全球和更多地方政治和社会问题的关注。
game over, 2023, installation view, museo jumex200 mamuts, 2022, casi 25 camellos, cinco caballosDark Matter, 2022, Installation view, Institute of Contemporary Art San Diego (ICA), CAFlores Sea, 2021, Oil on canvas dipped in chapopote, 27 1/5 × 20 3/10 × 1 3/5 in | 69.1 × 51.6 × 4.1 cmUntitled, 2021, Risograph print on paper, 16 9/10 × 11 in | 43 × 28 cmCuevas的作品挑战资本主义经济及其后果所支配的价值、交换和财产概念，探讨个人在资本主义制度下的状况，以及对祖先文化身份的滥用和剥夺。通过她的作品，我们可以看到对食品生产、自然资源管理、公平劳动实践和不断发展的新殖民主义形式的质疑，以及对所有生物的关注和尊重。
Utopista, 2000-2020, Set of 22. Silkscreen on Fabriano paper 100% cotton, 250 grStapelspiel Stempel (Stamp Set), 2019, Rubber stampsTo the left +Gemeinschaft -Geselschaft, 2019, Wall paintingWeaker Lower Slower, 2019, Painted steel and wall photographyEnergol - Motor oil vases, 2019, Aluminum can and artificial flowers, 68 1/2 × 43 3/10 × 13 4/5 in | 174 × 110 × 35 cmZukunft Series (Future Series), 2019, Photography, digital print, inkPleasure Island, 2015, graphic, found objects, 48 x 84.8 x 17 cm (18.9 x 33.39 x 6.69 in.) installedOreja RX, 2015, chocolate and silkscreen on cardboard box, 20 x 28 x 28 cm (7.87 x 11.02 x 11.02 in.) Feast and Famine, 2015, Installation view, kurimanzutto, Mexico CityVase, 2013, fabric and plastic flowers, sand, aluminum can, chapopote, 81 x 61 x 47 cm (31.89 x 24.02 x 18.5 in.)la venganza del elefante, 2007, kurimanzutto, mexico citySerie hidrocarburos, 2007, three vintage oil containers, chapopote, 32 x 17 cm (12.6 x 6.69 in.) eachSerie hidrocarburos, 2007, research documentation (book covered in chapopote, fourteen photographs, newspapers and magazines clippings), magnifying glasses, four asphalt fragments, two chapopote fragments with sea incrustations, one fragment of concrete, objects covered in chapopote (eight model figures, diving helmet, mobile telephone, hemp reel, wooden stick, two plastic figures, stone, ceramic figure, pump), seven pieces of solid chapopote, solidified chapopote, 82 x 200 x 200 cm (32.28 x 78.74 x 78.74 in.) table
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