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Lucas Gassel
HELMOND CIRCA 1495/1500 - CIRCA 1570 BRUSSELS
LANDSCAPE WITH THE RETURN OF THE PRODIGAL SON
oil on oak panel 46 x 63.2 cm.; 18 x 24 7/8 in.
Willem van de Velde the Younger
LEIDEN 1633 - 1707 LONDON
THE ENGLISH ROYAL YACHT MARY ABOUT TO FIRE A SALUTE
signed and dated on the ensign of the ship to the right: V v velde 1660
oil on canvas
126.5 x 178 cm.; 49 3/4 x 70 in.
Giovanni Antonio Canal, called Canaletto
VENICE 1697 - 1768
VENICE, THE CAMPO SAN ZACCARIA
Quantity: 2
a pair, both oil on canvas, in their original Venetian carved and gilded frames
each 47 x 77.7 cm.; 18 1/2 x 30 5/8 in.
Giovanni Antonio Canal, called Canaletto
VENICE 1697 - 1768
THE CAMPO SANTA MARIA FORMOSA
Quantity: 2
a pair, both oil on canvas, in their original Venetian carved and gilded frames
each 47 x 77.7 cm.; 18 1/2 x 30 5/8 in.
Roelandt Savery
KORTRIJK 1576 - 1639 UTRECHT
ORPHEUS PLAYING THE LYRE TO THE ANIMALS, A MOMENT BEFORE HIS DEATH AT THE HANDS OF THE THRACIAN MAENADS
signed and dated lower left: ROELANDT/ SAVERY/ 1618
oil on oak panel
36.5 x 49 cm.; 14 3/8 x 19 1/4 in.
Michele Marieschi
VENICE 1710 - 1743
VENICE, THE PUNTA DELLA DOGANA FROM THE CA' GIUSTINIAN, LOOKING SOUTH ACROSS THE BACINO DI SAN MARCO TOWARDS THE CHURCH OF SAN GIORGIO MAGGIORE
oil on canvas
62.4 x 98.4 cm.; 24 1/2 x 38 3/4 in.
Maerten Ryckaert
ANTWERP 1587 - 1633
MOUNTAINOUS LANDSCAPE WITH A CLIFFTOP CASTLE AND GOATS FROLICKING ON THE ROCKS
oil on copper
43.4 x 67.4 cm.; 17 1/8 x 26 1/2 in.
Salomon van Ruysdael
NAARDEN 1600/3 - 1670 HAARLEM
A RIVER SCENE WITH FIGURES IN A ROWING BOAT IN THE FOREGROUND
signed with initials and dated lower left: SR (in ligature) 1664
oil on oak panel
40.1 x 55.4 cm.; 15 3/4 x 21 3/4 in.
Hans van Wechlen
ANTWERP CIRCA 1537-AFTER 1570
PEASANTS MERRYMAKING AT A VILLAGE KERMESSE
signed lower left: HANS VAN WECHLEN
oil on panel
38.7 x 52.2 cm.; 15 1/4 x 20 1/2 in.
Joseph Mallord William Turner, R.A.
LONDON 1775 - 1851
EHRENBREITSTEIN, OR THE BRIGHT STONE OF HONOUR AND THE TOMB OF MARCEAU, FROM BYRON’S CHILDE HAROLD
oil on canvas
93 x 123 cm.; 36 1/4 x 48 1/2 in.
Jacob Grimmer
ANTWERP 1525/6 - 1590
AN ALLEGORY OF SPRING
signed lower left: GRIMMER FECIT
oil on panel
27.3 x 37 cm.; 10 3/4 x 14 1/2 in.
Salomon van Ruysdael
NAARDEN 1600/3 - 1670 HAARLEM
A RIVER SCENE WITH BOATS IN THE FOREGROUND AND A WINDMILL AND A CHURCH IN THE BACKGROUND
signed with initials lower left on the boat: SVR
oil on oak panel
36.3 x 32.5 cm.; 14 1/4 x 12 3/4 in.
Giovanni Paolo Panini
PIACENZA 1691 - 1765 ROME
ROME, A VIEW OF THE FORUM LOOKING TOWARDS THE CAPITOL
signed with initials and dated on a fragment of masonry, lower left: I. P. P. 1751
oil on canvas
57.8 x 94 cm.; 22 3/4 x 37 in.
Herri met de Bles
BOUVINES CIRCA 1510 - AFTER 1550 ANTWERP (?)
AN EXTENSIVE LANDSCAPE WITH THE PREACHING OF SAINT JOHN THE BAPTIST AND THE BAPTISM OF CHRIST
signed with the owl device upper left
oil on panel
76 x 113 cm.; 30 x 44 1/2 in.
Michele Marieschi
VENICE 1710 - 1743
THE CAMPO SAN GALLO, VENICE
oil on canvas
98.5 x 137 cm.; 38 3/4 x 54 in.
John Constable, R.A.
EAST BERGHOLT, SUFFOLK 1776 - 1837 HAMPSTEAD
LANDSCAPE WITH A RED-TILED COTTAGE, A WINDMILL AND A RAINBOW
oil on canvas
32.7 x 41.7 cm.; 13 x 16 1/2 in.
Gaspar van Wittel, called Vanvitelli
AMERSFOORT 1652/3 - 1736 ROME
ROME, A VIEW OF THE CHURCH OF SANTI MARCELLINO E PIETRO, FROM THE VIGNA CICCOLINI, WITH THE PALAZZO LATERANO, THE CHURCH OF SAN GIOVANNI IN LATERANO, THE OSPEDALE DI SAN GIOVANNI AND RUINS OF THE CLAUDIAN AQUEDUCT BEYOND
oil on canvas
75 x 132.8 cm.; 29 1/2 x 52 3/8 in.
Bernardo Bellotto
VENICE 1722 - 1780 WARSAW
VENICE, PIAZZA SAN MARCO LOOKING EAST TOWARDS THE BASILICA
oil on canvas
61 x 92.7 cm.; 24 x 36 1/2 in.
Claude Gellée, called Claude Lorrain
CHAMAGNE, LORRAINE 1604/5 (?) - 1682 ROME
AN ITALIANATE LANDSCAPE WITH A DROVER AND HIS DOG DRIVING HIS CATTLE ACROSS A FORD, A WATERFALL BEYOND
oil on canvas
38 x 50.6 cm.; 15 x 19 7/8 in.
Francesco Guardi
VENICE 1712 - 1793
VENICE, PIAZZA SAN MARCO, LOOKING EAST TOWARDS THE BASILICA
oil on canvas
39.2 x 52 cm.; 15 3/8 x 20 1/2 in.
Claude-Joseph Vernet
AVIGNON 1714 - 1789 PARIS
A COASTAL VIEW NEAR POSILLIPO, NAPLES
signed and dated at the lower right on a crate: J Vernet fe. Rome / 1742
oil on canvas
53.1 x 74.5 cm.; 20 7/8 x 29 3/8 in.
Gaspar van Wittel, called Vanvitelli
AMERSFOORT 1652/3 - 1736 ROME
TWO VIEWS OF ROME: THE ARCH OF SEPTIMIUS SEVERUS WITH THE TEMPLE OF SATURN; AND THE COLOSSEUM WITH THE ARCH OF CONSTANTINE
Quantity: 2
both signed with initials and dated; the first located and dated on a pillar, lower left: ROMA / 1703 / C.V.W; the second indistinctly dated on a fragment of column, bottom centre: 170[3] / GVW
a pair, both oil on canvas
the former: 46.1 x 74 cm.; 18 1/8 x 29 1/8 in.
the latter: 45.8 x 74.3 cm.; 18 x 29 1/4 in.
Gaspar van Wittel, called Vanvitelli
AMERSFOORT 1652/3 - 1736 ROME
TWO VIEWS OF ROME: THE ARCH OF SEPTIMIUS SEVERUS WITH THE TEMPLE OF SATURN; AND THE COLOSSEUM WITH THE ARCH OF CONSTANTINE (detail)
Quantity: 2
Jakob Philipp Hackert
PRENZLAU 1737 - 1807 FLORENCE
A VIEW OF THE VENUSBASSIN, TIERGARTEN, BERLIN, WITH ELEGANTLY-DRESSED FIGURES; A VIEW OF THE VENUSBASSIN, TIERGARTEN, BERLIN, WITH A GENTLEMAN ON HORSEBACK
Quantity: 2
the former signed lower right: J.P. Hackert. fecit.
the latter signed lower right: J.P. Hackert. fecit.
a pair, both oil on canvas
each: 59.7 x 74.5 cm.; 23 1/2 x 29 1/4 in.
Jakob Philipp Hackert
PRENZLAU 1737 - 1807 FLORENCE
A VIEW OF THE ALTEN ZELTE, TIERGARTEN, BERLIN, WITH ELEGANTLY-DRESSED FIGURES BY THE TENT; A VIEW OF THE ALTEN ZELTE, TIERGARTEN, BERLIN, WITH ELEGANTLY-DRESSED FIGURES PROMENADING, AN AVENUE OF TREES BEYOND
Quantity: 2
the former signed and dated lower right: Hackert 1761.;
the latter signed lower right: P. Hackert
a pair, both oil on canvas
each: 48.8 x 61.8 cm.; 19 1/4 x 24 3/8 in.
Wilhelm Brücke
STRALSUND 1800 - 1874 BERLIN
THE STADTSCHLOSS, BERLIN
indistinctly signed and dated lower right; with the Burg Hohenzollern label (no. 351) on the reverse
oil on canvas
80 x 135 cm.; 31½ x 53 in.
Maximilian Roch
B. BRESLAU 1793 - ?
THE STADTSCHLOSS, BERLIN
indistinctly inscribed: Dieser Ort (…) and dated lower right;
with the Burg Hohenzollern label (no. 414) on the reverse
oil on canvas
64 x 102 cm.; 25 x 40 in.
Wilhelm Brücke
STRALSUND 1800 - 1874 BERLIN
THE ZEUGHAUS, BERLIN
signed and dated lower right: Brucke 18+28
oil over pencil on canvas
70 x 144 cm.; 27½ x 56¾ in.
Johann Richter
STOCKHOLM 1665-1745 VENICE
VENICE, THE PIAZZETTA LOOKING NORTH-WEST TOWARDS THE CAMPANILE, WITH THE BIBLIOTECA, THE PROCURATIE VECCHIE, THE TORRE DELL'OROLOGIO AND NUMEROUS FIGURES IN CARNIVAL COSTUME AND A MAN IN POLISH DRESS
oil on canvas
129.9 x 162.3 cm.; 48 3/8 x 63 7/8 in.
Johann Richter
STOCKHOLM 1665-1745 VENICE
VENICE, THE PIAZZETTA LOOKING NORTH-WEST TOWARDS THE CAMPANILE, WITH THE BIBLIOTECA, THE PROCURATIE VECCHIE, THE TORRE DELL'OROLOGIO AND NUMEROUS FIGURES IN CARNIVAL COSTUME AND A MAN IN POLISH DRESS (detail)
oil on canvas
129.9 x 162.3 cm.; 48 3/8 x 63 7/8 in.
Johann Richter
STOCKHOLM 1665-1745 VENICE
VENICE, THE PIAZZETTA LOOKING SOUTH FROM THE BASILICA DI SAN MARCO WITH THE BIBLIOTECA AND A CROWD GATHERED TO WATCH A COMEDIA DELL' ARTE PERFORMANCE, THE COLUMNS OF SAN MARCO AND SAN THEODORO, THE ISOLA DI SAN GIORGIO MAGGIORE AND THE GIUDECCA BEYOND
oil on canvas
122.4 x 161.4 cm.; 48 1/8 x 63 1/2 in.
Johann Richter
STOCKHOLM 1665-1745 VENICE
VENICE, THE PIAZZETTA LOOKING SOUTH FROM THE BASILICA DI SAN MARCO WITH THE BIBLIOTECA AND A CROWD GATHERED TO WATCH A COMEDIA DELL' ARTE PERFORMANCE, THE COLUMNS OF SAN MARCO AND SAN THEODORO, THE ISOLA DI SAN GIORGIO MAGGIORE AND THE GIUDECCA BEYOND (detail)
oil on canvas
122.4 x 161.4 cm.; 48 1/8 x 63 1/2 in.
