小编感悟：向爱情屈服的人，更值得尊重。“托斯卡Tosca”中爱情有权贵和嫉妒在阻挠；“爱的甘醇L'elisir d'amore”中的爱情有虚伪在阻拦；“艺术家的生涯La bohème”中的爱情有身体健康、经济状况来验真；“图兰朵Turandot”中的爱情有仇恨来熄灭；“拉美莫尔的露琪亚Lucia di Lammermoor”中的爱情有家庭、政治来限制。真爱可浇灭怒火，给人最大的希望和信心。
咏叹调Aria就是一部歌剧中最动人、最精彩、最高潮的那些唱段，充满了丰富复杂感情的最美旋律，极其细致地刻画出主角的各种内心世界。单曲循环咏叹调是学习意大利语的必经之路，文末链接了9首意大利名曲。
意大利歌剧作曲家多尼采蒂Donizetti（1797-1848），生于贝加莫，一生创作约有75部歌剧，也有弥撒曲等宗教音乐、康塔塔、弦乐四重奏、管弦乐等，均以创作的快速、多产而著称。2018年世界杯开幕音乐会上，有他两部作品的咏叹调被唱，分别是“军中女郎La Fille du Régiment” 中的 '多么快乐的一天Ah mes amis' ， 和“拉美莫尔的露琪亚Lucia di Lammermoor”中的'我听到了他的美妙声音Il dolce suono'。请继续关注此公众号，未来将单独分享。
Domenico Gaetano Maria Donizetti (/ˌdɒnɪˈzɛti/, also UK: /-ɪtˈsɛti/, US: /ˌdoʊn-, -ɪdˈzɛti/,Italian: [doˈmeːniko ɡaeˈtaːno maˈriːa donidˈdzetti] 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi.
Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may never have been performed during his lifetime.
Over the course of his career, Donizetti wrote almost 70 operas. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to that city and his residency there which lasted until the production of Caterina Cornaro in January 1844. In all, Naples presented 51 of Donizetti's operas.
Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. However, his first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was premiered, Donizetti made a major impact on the Italian and international opera scene and this shifted the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did appear and succeed; they included Lucia di Lammermoor (the first to have a libretto written by Salvadore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti.
Donizetti found himself increasingly chafing against the censorship limitations which existed in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw much greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. Starting in 1838 with an offer from the Paris Opéra for two new works, he spent a considerable part of the following ten years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time.
As the 1840s progressed, Donizetti moved regularly between Naples, Rome, Paris, and Vienna, continuing to compose and stage his own operas as well as those of other composers. But from around 1843, severe illness began to take hold and to limit his activities. Eventually, by early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848.
“拉美莫尔的露琪亚Lucia di Lammermoor”，女主Lucia和男主定下永恒的爱情誓言，却摆脱不了亲情和外界的干扰，落得双双为爱自杀，虽是个悲剧，却告诫如果执着地坚守当初的诺言，幸福就如同炒个荷包蛋那么简单。苟且偷生地活着，做为权欲物欲的工具，已吞噬了人类追求幸福的初衷。
Lucia di Lammermoor is a dramma tragico (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor.
Donizetti wrote Lucia di Lammermoor in 1835, a time when several factors led to the height of his reputation as a composer of opera. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of Lucia leaving Donizetti as 'the sole reigning genius of Italian opera'. Not only were conditions ripe for Donizetti's success as a composer, but there was also a European interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel The Bride of Lammermoor, which inspired several musical works including Lucia.
The story concerns the emotionally fragile Lucy Ashton (Lucia) who is caught in a feud between her own family and that of the Ravenswoods. The setting is the Lammermuir Hills of Scotland (Lammermoor) in the 17th century.
'祖先的坟墓。。。不久我将被埋葬Tombe Degli Avi Miei。。。Fra poco a me ricovero'，对爱情已绝望男主在祖先的坟墓前，唱出准备迎接死亡的来临，这时他还不知道女主已经自杀。曾经还因爱情浇灭仇恨，想去与仇敌谈和平，跟现在的绝望形成强烈对比。
二维码链接到小编收集的各种版本：
意大利语歌词：
Tombe degli avi miei,
l'ultimo avanzo
d'una stirpe infelice
deh! raccogliete voi. Cessò dell'ira
il breve foco... Sul nemico acciaro
abbandonar mi vo'. Per me la vita
è orrendo peso!...
L'universo intero
è un deserto per me senza Lucia!...
Di faci tuttavia
splende il castello! Ah! Scarsa
fu la notte al tripudio!
Ingrata donna!
Mentre io me struggo in disperato
pianto,
tu ridi, esulti accanto
al felice consorte!
Tu delle gioie in seno,
Tu delle gioie in seno,
Io della morte!
Io della morte!
Fra poco a me ricovero
darà negletto avello...
Una pietosa lagrima
non scenderà su quello!
Ah! Fin degli estinti, ahi,
misero!
Manca il conforto a me!
Tu pur, tu pur dimentica
que marmo dispregiato:
mai non passarvi, o barbara,
del tuo consorte a lato... Ah!
Rispetta almen le ceneri
di chi moria per te.
Rispetta almen le ceneri
di chi moria per te.
Mai non passarvi, to lo dimentica,
rispetta almeno chi muore per te.
Mai non passarvi, to lo dimentica,
rispetta almeno chi muore,
chi muore per te.
O barbara, rispetta almen le ceneri...
Ah! di chi moria
di chi moria per te.
英语歌词：
Tombs of my fathers,
last son of an unhappy race,
receive me, I implore you. My anger's
brief fire is quenched...I will fall on
my foe's sword. For me, life
is a horrible burden! The whole universe
is a desert for me without Lucia!
Yet the castle
gleams with torches...Ah, the night
was too short for the revels! Heartless jade!
While I pine away in hopeless tears,
you laugh and gloat
by your happy consort's side!
You amid joys, I near to death!
Soon this neglected tomb
will give me refuge.
A compassionate tear
will not fall upon it...ah!
Alas, for wretched me not even
the solace of the dead.
You too, forget
that despised marble tombstone!
Never visit it, o cruel one,
by your husband's side.
Ah, respect at least the ashes
of him who dies for you,
Never visit it,
forget it exists,
respect at least the one who died for you,
Oh, cruel one! Respect,
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