郭 子 良
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工笔重彩花鸟画
（图/文：郭子良）
进入2020年，因为新冠疫情的出现，一切工作计划都不得不立即停顿下来！一月下旬，已经在老家顺德开始了的写生培训班被迫叫停；整个春节期间，各类亲友聚会取消；从二月一直到六七月份，所有的社会活动都按下“暂停”键……
每天只能窝在画室，手机成为了解各地疫情，沟通外部世界的几乎唯一通道。我在老家广东佛山顺德一直待到四月底，这里并非疫区，社交圈子里也没有直接的疫例，但我还是万分谨慎地控制自己的行动，不要给别人与自己惹麻烦。几个月里，唯一能做且想做的事，就是画画。
在这段紧张而压抑的日子里，每做什么事都得小心翼翼
我也正好把这几年在西双版纳的花卉写生还未画的稿子继续以重彩方式画下去。实际上这两年的写生线稿大部分已经画过，能画的稿子不多。画到后来，甚至是把几个不太理想的旧稿与几近放弃的未完成画，一并想办法画完它。因为不想重复与前期类似的效果，因此画的过程颇为吃力，想的多画的慢。好在封闭式的状态能让自己静得下心来思考，每天绘画时间也足够的长。画完后装裱出来，感觉效果较之前两年的画有一定的提升。
一旦思考形成定势，想做出一些变化那是很不容易的事，我常常要这样警惕自己。当手头上最后一张稿子画完，我就想，明年的版纳写生又该怎么画呢？
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