大卫罗素的165条吉他技巧（右手：震音）

C 右手（续）

震音

（Trill）

96 ) Trills have to have more not less sound given.They usually work by making a crescendo within the trill, beginning more slowly and accelerating towards the end.

96）震音必须具有更多的声音，通常的演奏方法是在震音中发出渐强的声音，开始时要缓慢一点，逐渐向结尾处加速。

97 ) There are various ways to achieve a trill which allows for what was mentioned in the previous point . Personally the trill on two strings seems very satisfactory to me . It can be done a ) p-i like the lute players or b ) with a-i-m-p.

97）考虑到上一条提到的要点，有多种方法实现颤音。就我个人而言，在两根琴弦上的震音似乎很让我满意。可以这样做：a）p-i，就像鲁特演奏者那样；或 b）用a-i-m-p指法。

98 ) To practice this last trill mentioned in the previous point you can first practise simultaneously ' p-a ' and ' i-m and then in succession until you can integrate both groups in a continuous sound.

98）为了练习上一条提到的最后一种震音奏法，你可以先同时练习“p-a”和“i-m”，然后连着练习，直到你可以使两个组整合起来成为一个连续的声音。

—本节由姚经天翻译，未完待续—

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