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MO ZHI
莫芷
MO ZHI'S BIOGRAPHY
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1988年生于四川
2010 清华大学美术学院绘画系 学士
2013 清华大学美术学院绘画系 硕士
现工作于清华大学美术学院绘画系
MO ZHI
Muse manufacturing
©无尽游戏7，Oil on canvas，80 x 100cm，2018
In the past two years, mo zhi's artistic creation forms have abandoned and abandoned the original inherent painting templates in language. The shaping of individual cognitive system makes artists no longer limited to the deep cutting and description of a single image.
Photo：© MO ZHI
Art critic
● Hui Shuwen
惠书文· Curator
嬉普士的冥想狂欢
莫芷近两年的艺术创作形式在语言上抛弃、丢舍了原本固有的绘画模版，个体认知系统的塑立让艺术家不再仅限于既有单一形象的深度切入与描绘进致，在文本线索的发展脉络上有着自我颠覆语言的自律性和觉悟性。裂变嫌疑的最大可能是语言的重置，这种倾向的导入源于艺术家对现实层面绘画语境是否能够有新的转折的探索，链接不同方向的元素点，而画面中单色人物深浅的解构递变则是对传统文人画的另一种解读和变相输出。
莫芷的作品中有着诸多在生活中常见之物的形象，形象的传递密度是艺术家有意通过部分编程方式的镜像信息采集转换为自己所需的特殊构成方式，形式的缘由在分解、消化的过程中被无序展陈，铺列着，而某个样本的提取与分离无疑是艺术家“嬉普士”气质的自然分配和预言祷告。资讯、媒体的迅急速度充斥着具体数据信息的质量，量的积淀一如艺术家咀嚼完口香糖后的咬肌呈现的尴爽反弹。各式样本符号的重叠与复合是图像文本从有序到无序的自然过渡，兴奋点的介入于艺术家而言不会太久，生产无序性的语言特质也为莫芷提供了合乎时宜的冥想空间和理想狂欢。
A meditative carnival of hippies
In the past two years, mo zhi's artistic creation forms have abandoned and abandoned the original inherent painting templates in language. The shaping of individual cognitive system makes artists no longer limited to the deep cutting and description of a single image, but have the self-discipline and consciousness of self-subversive language in the development of text clues. The most likely suspect of fission is the resetting of language. The introduction of this tendency stems from the artist's exploration of whether the realistic painting context can have a new turning point and link elements in different directions. The gradual deconstruction of monochrome characters in the picture is another interpretation and output in disguise of traditional literator paintings.
Mo zhi's work has a lot of in the life of the common content of image, image transmission density is an artist intends to convert the image information collection by way of programming you need special forms, forms the reason in the process of decomposition, digestion was disordered ZhanChen, pavement, and a sample extraction and separation is the artist "having PuShi" temperament natural distribution and prediction in prayer. The rapid speed of information and media is full of the quality of specific data and information, and the amount of accumulation is like the smooth rebound of masticator muscles after chewing gum. The overlapping and compositing of various sample symbols is the natural transition of image text from order to disorder. The intervention of excitement will not last long for artists. The language characteristic of producing disorder also provides mozhi with an appropriate space for meditation and ideal carnival.
2019
MO ZHI
Oil on canvas · Acrylic on canvas
Composite materials
布面油彩·布面丙烯-综合材料
2018-2019
Mo Zhi
© MO ZHI｜ Muse Manufacturing 1
2019 100×70cm Acrylic on canvas
Artist / 莫芷 《缪斯制造业1》 布面丙烯
ART AN SPACE 2019
© MO ZHI｜ Muse Manufacturing 2
2018 40×50cm Acrylic on canvas
Artist / 莫芷 《缪斯制造业2》 布面丙烯
ART AN SPACE 2019
© MO ZHI｜ Endless game 8
2018 40×60cm Oil on canvas
Artist / 莫芷 《无尽游戏8》 布面油彩
ART AN SPACE 2019
© MO ZHI｜ Muse Manufacturing Compound
2019 180×120cm Composite materials
Artist / 莫芷 《缪斯制造业 复合》 布面综合材料
ART AN SPACE 2019
© MO ZHI｜ Symmetric sampling set
2019 60×80cm Acrylic on canvas
Artist / 莫芷 《对称采样集》 布面丙烯
ART AN SPACE 2019
© MO ZHI｜ Endless game 6
2018 80×100cm Oil on canvas
Artist / 莫芷 《无尽游戏6》 布面油彩
ART AN SPACE 2019
© MO ZHI｜ Endless game 6
2018 120×180cm Oil on canvas
Artist / 莫芷 《无尽游戏6》 布面油彩
ART AN SPACE 2019
© MO ZHI｜ Stress field
2019 80×100cm Acrylic on canvas
Artist / 莫芷 《应力场》 布面丙烯
ART AN SPACE 2019
© MO ZHI｜ One-way log
2019 80×100cm Acrylic on canvas
Artist / 莫芷 《单向日志》 布面丙烯
ART AN SPACE 2019
© MO ZHI｜ Exhibition Center
2018 100×80cm Digital output: three-color filter interactive device
Artist / 莫芷 《陈列馆》 数码输出：三色滤镜互动装置
ART AN SPACE 2019
© MO ZHI｜ Destination and midpoint
2018 100×80cm Digital output: three-color filter interactive device
Artist / 莫芷 《归宿与中点》 数码输出：三色滤镜互动装置
ART AN SPACE 2019
© MO ZHI｜ Toward the dream
2018 100×80cm Digital output
Artist / 莫芷 《向梦走去》 数码输出
ART AN SPACE 2019
© MO ZHI｜ All disorder is reasonable
2019 60×80cm Composite materials
Artist / 莫芷 《一切失序都是合理的》 布面综合材料
ART AN SPACE 2019
© MO ZHI｜ Skepticism
2019 80×60cm Composite materials
Artist / 莫芷 《怀疑论》 布面综合材料
ART AN SPACE 2019
© MO ZHI｜ Events: the second quadrant
2019 80×100cm Composite materials
Artist / 莫芷 《事件：第二象限》 布面综合材料
ART AN SPACE 2019
© MO ZHI｜ Events: the third quadrant
2019 80×100cm Composite materials
Artist / 莫芷 《事件：第三象限》 布面综合材料
ART AN SPACE 2019
© MO ZHI｜ Intonation sample: low-frequency simulation
2019 40×40cm Oil on canvas
Artist / 莫芷 《吟咏样本：低频模拟》 布面油彩
ART AN SPACE 2019
© MO ZHI｜ Chanting sample
2018 120×120cm The neon lights
Artist / 莫芷 《吟咏样本》 霓虹灯
ART AN SPACE 2019
© MO ZHI｜ In the form of carnival
2019 60×100cm The neon lights
Artist / 莫芷 《形式狂欢》 霓虹灯
ART AN SPACE 2019
MO ZHI·MUSE MANUFACTURING
Artist Statement
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莫芷 · 缪斯制造业
缪斯是人们（主体通常是男人）意淫的对象。他们极为自然的把对艺术的追求，理想和信念的挚爱投射在一个好看的女人的身体之上。沐之以醍醐，佩之以琼瑶，极尽一切可用之物加以装饰，女神因此而诞生。而它同时也规定女神的姿态和生活方式，用纯金贴其表面，层层覆盖，遍遍裱糊，将真实的女人包裹进去。在这个时代，缪斯是艺术家卖弄点子的借口，缪斯也是冥想课程，是打折券，是惊喜促销，是肥皂剧，体育比赛，赌球以及新闻快讯，是一切鼓吹和包装的模具。在夜梦交错的恍惚之间，缪斯给人们以理由，为他们的癫狂提供宣泄的出口。缪斯不再只是个人的想象之物，现在，缪斯是商业制造出来的金光闪闪的雕像，是供人消费，用以挑逗人类情欲，让他们重新爱上这个世界，沉醉于这个世界的万千化身。
——莫芷
Muse is the object of sexual intercourse. They naturally project their pursuit of art, ideals and beliefs on a beautiful woman's body. The goddess was born because of bathing and wearing Qiongyao to decorate everything that could be used. It also prescribes the goddess's attitude and way of life, with pure gold pasted on its surface, layer upon layer, all over the paste, the real woman wrapped in. In this era, Muse is an excuse for artists to show off ideas. Muse is also a meditation course, a discount coupon, a surprise promotion, a soap opera, a sports game, a gambling ball and news bulletin, a model for all advocacy and packaging. In the trance of staggered nightmares, Muses give people reasons to vent their madness. Muse is no longer just a personal imagination. Now, Muse is a golden statue made by commerce. It is for human consumption to provoke human desire, to make them fall in love with the world again and to indulge in the thousands of incarnations of the world.
——Mo Zhi
展览经历-2018
个展
“缪斯制造业”莫芷个人作品展，上海印柒雅空间，2018
“寓言新编”莫芷个人作品展，山西释艺艺术中心，2018
反季糖酒会：莫芷艺术项目，厦门艺术博览会，2018
联展
2018上海艺术博览会/浦东世博展览馆
2018“没展/2018”/上海喜玛拉雅美术馆
2018猎质当代艺术双年展/重庆目击者当代艺术空间
2018i ART青年艺术计划“城市·人的维度”/重庆原·美术馆
◐ 关于策展人·惠书文
C V
HUI SHUWEN
惠书文
现任郑州彩虹盒子美术馆馆长
重庆目击者当代艺术空间艺术总监
"猎质"国际当代艺术双年展品牌创办人
一甸艺术空间创始人之一
当代艺术策划人与创作者
2014年开始致力于独立艺术空间的创建与运营，Rainbow box project发起人，An Art Space策展人，担任2018年度猎质国际当代艺术双年展全国巡展总策展人（中国郑州–彩虹盒子美术馆、中国中山–中山美术馆、中国珠海–古元美术馆，中国重庆–华人当代美术馆/目击者当代艺术空间/7101美术馆/界外美术馆，中国西安–崔振宽美术馆，中国成都–成都大学美术馆，中国南京–可一美术馆，担任2018中国商丘抽象国际邀请展联合策展人，担任2018首届夜郎谷现场艺术周学术观察，曾朴：变相＆刘亭君：爱吾及物双个展，同时参与多个美术馆和画廊项目的监制、策划、主持等工作，撰写即时展览评论及挖掘推广国内外优质艺术家。
2018年An Art Space最值得关注的十五位艺术家！
© MO ZHI
This article is published by exclusive AN-ART SPACE, the artist authorized to publish, without permission, please do not reprint.
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