策展人 惠书文
开幕时间:2021.06.5 15:00pm
展览时间:2021.06.5 - 2021.06.11
展览地点:中央美术学院5号楼2层 主楼展厅A207
主办单位:中央美术学院油画系
Opening: 15:00, June 5, 2021 (Saturday)
Exhibition time: June 5-June 11, 2021
Venue: Exhibition Hall A207, main building, 2nd floor, building 5, Central Academy of Fine Arts
Sponsor: Department of oil painting, Central Academy of Fine Arts
界面是指物质相与相的分界面。以该词作为牛继钊与李仲舒双人展的展览名称,一是想探讨两人作品在绘画面貌之间的“相”的差异性;二是呈现他们在共时语境下个体对于现实景观(人、自然和城市)的自我表达和内在关注的相向点。从时间轴上的线索和文本变化来看,描绘对象的分隔线和临界点成为他们获取现实关照的实际状述,而“界面”的景观形成,则以一种相对感性的思维认知应立于画面的理性之上,继而回溯到绘画本体的思想体系中。
艺术家牛继钊 Artist Niu Jizhao 2021
● Fictional theater 2021,油画 丙烯 蛋彩Interface refers to the boundary between phase and phase of a substance. This word is used as the title of the exhibition of Niu Jizhao and Li Zhongshu. On the one hand, it aims to explore the difference of "phase" between the painting features of their works. The second is to present the opposite point of their self-expression and inner concern for the real landscape (people, nature and city) in the synchronic context. From the perspective of the clues on the timeline and the changes in the text, the dividing lines and critical points of the depicted objects become the actual statements for them to obtain the attention of reality, while the landscape formation of the "interface" should be based on the rationality of the picture with a relatively perceptual thinking and cognition, and then traced back to the ideological system of the painting itself.艺术家牛继钊 Artist Niu Jizhao 2021
在面对虚拟图象的动态、静止空间里,拟像的图式语言更加个人化。牛继钊善于连结日常生活中具有叙事性情境的元素载体,人与物的安设布局,将常态化的场景变得更加立体和生动。由存于室内墙壁上凸显的一类植物,寂静而冷峻的蓝灰色调背景下,状如一部电影在收尾时所埋下的余音绕梁的音质回声……
In the dynamic and static space of virtual image, the schematic language of simulacra is more personalized. Niu Jizhao is good at connecting elements carriers with narrative situations in daily life, and the layout of people and things makes the normal scenes more three-dimensional and vivid. A kind of plant protruding from the interior wall, under the silent and cold blue-gray background, looks like the sound quality echo of the lingering sound buried in the ending of a movie...艺术家牛继钊 Artist Niu Jizhao 2021
● Room of exhortation 2019,布面油画《雨中人》室外环境下的红色氛围的营造,隐现出画中人身份的不确定性,趋于模糊的人形,甚至被消解的五官体态,是画家对于人和自然、城市生存关系的生命思考。《I’m fine》以人物的造型走势转移到另一空间维度中,隐遁的人物形态在远处停滞,是在期待?或是在静观未来。焦虑与孤独感始终是穿引着牛继钊在绘画创作上的原始动力,绘画方向,亦或是绘画方式的诠释,对他来说并不重要。正因:“出走,走向戈多,走向未知。”
The creation of the red atmosphere in the outdoor environment of Man in the Rain reveals the uncertainty of the identity of the figure in the painting, the blurred figure and even the dissolved facial features, which are the painter's life reflections on the relationship between man and nature and the survival of the city. "I'm Fine" transfers to another spatial dimension with the modeling trend of the characters, and the reclusive figure forms stagnate in the distance. Is it an expectation? Or watching the future. Anxiety and loneliness have always been Niu Jizhao's original driving force in painting creation. The direction of painting, or the interpretation of painting style, is not important to him. Because: "Away, to Godot, to the unknown."艺术家牛继钊 Artist Niu Jizhao 2021
● People in the rain 2020,布面油画“城市系列”、“家乡系列”和“日记系列”基以构成李仲舒近两年绘画创作的主要题材:城市图景的描绘来源于她读书期间以及生活在此的现时状态,并通过建筑结构本身的移位和重构,赋予望京soho建筑在画面中另一种视觉感官和语言表述。多个弧形线状,以及对比强烈的色域分布,蔚蓝天际下,初显环境中人物身份的各自属性,观者,其人,自在其中。
艺术家李仲舒 Artist Li Zhongshu 2021
● 2020 urban landscape,木板丙烯2020之城市风景,Size:120 x 190cmSeries "the city series", "home" and "diary of a series of" base to form Li Zhongshu nearly two years the central theme of painting creation: to describe the vision of the city from her school and live in the present state, and through the displacement of structure itself and refactoring, give wangjing soho building in the picture of another kind of visual sense and language expression. Multiple arc-shaped lines, as well as the contrast of the color gamut distribution, the blue sky, the initial display of the environment of the character identity of their own attributes, the viewer, the person, at home.艺术家李仲舒 Artist Li Zhongshu 2021
从《泉》、《逐》、《憩》、《遇》四联到《soho的联想》,李仲舒一直在探索都市空间与人的关联,确切地说,是在建构不同场域下这些色彩与造型给予她的心理启示,即规避人物本身后崭现出的绘画魅力。《家乡系列》,时令季节和乡愁思绪成为她表现外物风景的内因,这些景致便是其内心情感的真实投射。似日记一般的绘画随笔,是画家面对自然风光时的直观感受,是自由而又洒脱的心境流露,漫行其中,纯然天成。
From "Spring", "Pursuance", "rest", "encounter" to "association of Soho", Li Zhongshu has been exploring the relationship between urban space and people, to be precise, in the construction of different fields of color and shape to give her psychological inspiration, that is, to avoid the characters themselves reflected in the painting charm. In Hometown Series, the seasons and homesick thoughts become the internal reasons for her to express the external scenery, which is the true projection of her inner feelings. Diary like general painting essays, is the painter in the face of the natural scenery of the intuitive feeling, is free and free mood reveals, diffuse in which, pure nature.艺术家李仲舒 Artist Li Zhongshu 2021
◐ 关于艺术家·Artist
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牛继钊(Niu Jizhao),1986年生于山东莒县。2012-2016年中央美术学院油画系 本科(油画系第二工作室),2018-2021年中央美术学院油画系 硕士 。
2012 雕塑《男子头像》 三等奖;2013 《女半身像》 三等奖;2013《躺着的女全身像》三等奖 ;2013—2014 中央美术学院周大福奖学金;2015 素描《等大双人像》留校;2016《支架子》作品太庙艺术馆永久收藏;2018-2019中央美术学院学业奖半奖;2020《徊》“艺术探索奖”。2021 “界面”双个展;2021 “功夫——中央美术学院造型学科基础部成立二十周年展”;2019“后生”研究生艺术作品展;2016“中国梦劳动美-基层劳动者风采美术作品展”;2015“学院之光-教学案例作品展”;2014“最美中国”摄影作品展;“视觉融合”;2013 “观察与表达”。
◐ 关于艺术家·Artist
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李仲舒(Li Zhongshu),1994年生于辽宁大连。2009-2013就读于中央美术学院附中;2013-2018中央美术学院油画系 本科(油画系第二工作室);2018-2021中央美术学院油画系 硕士 。
2015-2016学年获中央美术学院 本科 综合奖学金 三等奖;2016.9《跳五倡》等3件系列作品获南京故事插画大赛铜奖;2018.6毕业创作《在宜家里》获本科毕业创作三等奖;2019.1第十五届画室开放日《油画双女人体》获最佳技法奖;2019.2作品《孩子与鸟儿》获大艺时代全国原创插画设计大赛优秀奖;2019.9作品《冻住了》获“青春·足迹”全国艺术院校主题创作展三等奖;2018-2019 学年 获中央美术学院 硕士 研究生半额学业奖学金;2019-2020 学年 获中央美术学院 硕士 研究生全额学业奖学金;2020.7作品《欣欣向荣》获全国第十届新星星艺术人气奖2019.1参加“回响”研究生艺术展 于中央美术学院/北京;2019.4参加“后生”联展 于中央美术学院/北京;2019.9参加“青春·足迹”全国艺术院校学生主题创作展;2019.11举办“油敢”研究生展览—— “忆境”个人作品展,共展出2018-2019年创作的作品共56幅 于中央美术学院/北京;2019.11参加循循展“小径分岔的花园”联展 于侨福芳草地/北京;2019.12参与“川流不息”央美青年慈善拍卖;2020.3插画《广场舞》被选入深圳卫视疫情活动公益短片;2021.6举办双个展 于中央美术学院主楼展厅。
◐ 关于策展人·Curator
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惠书文(Hui Shuwen),一位活跃的独立策展人、艺术写作者。CONUTER-FEIT 猎质当代艺术双年展品牌创办人,猎质当代艺术展总策展人。Rainbow box project发起人,An Art Space策展人。主要从事中国当代艺术史论研究与写作、当代艺术批评实践、展览策划及独立艺术空间的创建与运营等工作。
主要讲座与艺术项目包括:清华大学美术学院(惠书文:猎质行动——青年策展实践与思考);鲁迅美术学院(惠书文:策展年记——关于艺术家的成长与自我塑造);西南大学美术学院·学术讲座(惠书文:行动中的猎质——策展实践与思考);吉利学院艺术学院·学术讲座(惠书文:策展人的一剂良药);中国当代艺术权力资本与市场·学术论坛(论坛主持:惠书文);《我们如何面对今天的艺术?》艺术项目总策划;中国商丘抽象国际邀请展联合策展人,首届夜郎谷现场艺术周学术观察。
曾策划与合作个展的艺术家包括:陈雨、黄鹿、杨加勇、曾朴、刘亭君、鲍贤杰、罗天志、曹亮、陈清勇、陈蜀、董冰清、黄凌云、蒋佑胜、贾宇豪、李浩、李勇、林惠兴、刘强、米小西、邱兴健、石东旭、时永华、孙小川、王朝、王琳、王韦、王文聃、王旭、吴江涛、谢蓓、谢珍良、杨涛、曾臻、张丹、张术利、张海君、郑大弓、郑龙一海、朱峰等。
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