燕山亭
张镃
幽梦初回，重阴未开，晓色吹成疏雨。竹槛气寒，蕙畹声摇，新绿暗通南浦。未有人行，才半启、回廊朱户。无绪，空望极霓旌，锦书难据。
苔径追忆曾游，念谁伴秋千，彩绳芳柱。犀奁黛卷，凤枕云孤，应也几番凝伫。怎得伊来，花雾绕、小堂深处。留住，直到老、不教归去。
译文：刚从幽深的梦境返回，厚重的阴云尚未散开，拂晓的曙光催得落下一阵稀雨。竹栏上寒气漫溢，花圃里风声摇曵，一条新淌的绿溪暗暗通向南浦。还不见有人来往，只推开半扇，回廊上朱红的窗户。我毫无情绪，徒然地极目伫望，企盼着远方的云霞，空有相思书信也难作凭据。踏过生活苔藓的小径，追忆旧日游赏的踪迹。我总想而今谁是秋千伴侣，芳柱上彩绳空自摇曵。卷起犀角帘钩的青黛色帷帘，绣凤枕上云梦孤栖，想他也应几次凝神远望，寄托情意。怎能够等到他的回来，在小小堂屋深处，花香如雾气缭绕，芳馥迷离。留住他，一直到老，再不教他回去。
作者简介：张镃（1153—1221？）原字时可，因慕郭功甫，故易字功甫，号约斋。先世成纪（今甘肃天水）人，寓居临安（现浙江杭州），卜居南湖。出生显赫，张镃为宋南渡名将张俊曾孙，刘光世外孙。张镃又是宋末著名诗词家张炎的曾祖，是张氏家族由武功转向文阶过程中的重要环节。隆兴二年（1164），为大理司直。淳熙年间直秘阁通判婺州。庆元初为司农寺主簿，迁司农寺丞。开禧三年（1207）与谋诛韩侂胄，又欲去宰相史弥远，事泄，于嘉定四年十二月被除名象州编管，卒于是年后。 张镃著有《玉照堂词》一卷。《全宋词》存词八十四首。与辛弃疾有唱和，词风亦稍近之。好作咏物词。
赏析：本篇为抒写相思离情之词，题材陈旧，选用的意象也很传统，称不上名作精品，但从对本词的分析中，却能看出南宋密丽一派的长调在意象营构上的普遍特点。一是意象更为密集。表现在全词，不再是简单的上片景下片情，或上片情下片景，却往往以景代情，景中寓情；表现在词句中，不是一句一象，而是一句多象。二是意象更加精细。每个形象的中心词前面常用另一个词来修饰。这些修饰词往往来自作者对景物的敏锐感受，从中可以窥见主人公内心颤动着的深沉情思。三是意象更有层次。密集、精细容易“质实”而“凝涩晦味”，故需要恰当的层次节奏使其具有流美之感。本词从起处“幽梦”、“重阴”的抑郁，到结处自立盟誓式的率直，情感体现出一种向外扩张的趋势，与之相适应，句式往往是先短后长，使语势如浪阵阵外涌。另外，动词的选择也颇为讲究，如“初回”、“未开”、“暗通”、“半启”、“空望”，以程度副词来表现情绪的细微变化，耐人寻味。
英译：
ZHANG Zi – Lyrics to the Melody of a Pavilion in the Yan Mountains
I've just woken from a dream to a heavily overcast sky,
Light is the shower rushed here by daybreak.
Cold air pervades the bamboo groves, acres of trees sough and sway,
Fresh green has spread all over to reach the southern waterways.
There hasn't been anyone coming by,
So I let ajar the crimson doors that a cloister face.
Disconsolate I feel, casting at the clouds an empty gaze,
A letter from him is something I've yet to obtain.
I'm reminiscent of our excursion along this mossy path,
Who else could accompany me on the swing?
Colourful are the ropes and polished the posts.
I roll up the screens made of rhinoceros skin,
To look at clouds that seems lonely like my pillow embroidered with a phoenix,
There must have been many times I've stood long to gaze.
How could I bid him to come hither?
A flowery mist the little courtyard pervades.
How I'd like to keep him here until we are grey and never let him go away.
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