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72岁澳大利亚著名艺术家ASTRID倾心之作——《呼唤自然空间》!





展览时间

2016.11.04——2016.11.06

展览地点

上海ADA艺术空间

上海市莫干山路50号4号楼B座110

敬邀您的光临



For the first time 72-year old Australian well-krow Artist Astrid brings her evocative nature-scapes to Shanghai. A grain of sand, a trickle of water, a calming breeze, a blossoming flower are some of the conversation points in her INTERNAL and EXTERNAL landscapes. With her Australian spirit and Asian soul, she interprets her nomadic life using gold leaf and a flourish of experimental techniques on canvas.

       这是72岁的澳大利亚画家ASTRID第一次把她的《呼唤自然空间》的作品带到上海展览:一粒沙子、涓涓的细流、平静的微风、盛开的花朵,被绘画出她内在和外在的艺术风景。鉴于她澳大利亚的精神和亚洲的灵魂,她用独特的思维和绘画方式在画布上体现出她的游牧生活给您带来一场视觉的盛宴。





EVOCATIVE NATURE - SCAPES

Most artists restrict their artistic focus on one particular theme which is repeated with variations throughout their entire careers. (on one hand, this makes the artist more identifiable regarding the galleries and buyers but on the other hand it also speaks of only dealing with the ‘known’ and not having the courage to explore the ‘unknown’) 

However I put myself into the category of wanting to explore THEMES AND PROCESSES.  I have multiple themes that recur depending on my environment, mood and reflective thoughts. But the underlying thread is that of “Nature” with all its complexities and nuances. I also use multiple artistic techniques to better clarify my vision. In that way, each theme is awarded its own uniqueness within the end result.

Plants and Trees have become the people in my landscape as a Sharman sees the spirits and souls in all animate and inanimate things. I hear their lives and growth as they converse with other living things and each other. I feel that our souls are linked to all that is in nature, including ourselves.  We as humans are privileged to live among all that is deemed as the natural landscape.

Life itself is transitional and emotive responses are also subject to transitions during momentary contemplations. Each moment is different to the next therefore, the regularity of self-expression has to modulated, refreshed, recalibrated, and changed (moment by moment, day by day) to give the transitional nature of all things, space to live, breath and evolve.

Processes, techniques, and mediums are embarked on, only to let them be the ‘guide’ towards a desired result. I listen to the painting and at times, I feel as if I am standing aside, while the painting dictates its own final conclusion. 

Many lives exist in some of my works, with up to 3-4 layers, on certain pieces.  They are constantly being returned to the easel for re-assessment or at times, re-invention even after I think I have concluded my investigations and arrived at the place of “stillness”. As Picasso once said – “no painting is finished, only abandoned”. However I prefer Paul Gardner’s summation - 'A painting is never finished - it simply stops in interesting places.'

Astrid  

2016

《呼唤自然空间》


大多数艺术家把他们的艺术重点限制在一个特定的主题,由此重复的变化在整个职业生涯中。(一方面,这使艺术家更容易被画廊和买家识别,但另一方面,它局限于表达广泛被认可的一面,只有处理及擅长而没有勇气探索“未知”世界)。

然而,我把自己归纳在要探索主题和追求过程的那类艺术家。我有多个主题,这借助于我的环境,情绪和反思。但基于是大自然的所有复杂性和微妙之处,我也使用多种艺术技巧和表达方式,以更好地呈现我眼中的景象。由此每一个主题都在最终被授予自己的独特性。

植物和树木都成为我景观中的人物就像Sharman能看见在所有有生命的和无生命的事物。我能感受到他们的生活和成长,以及他们与其他生物之间的交谈。我觉得灵魂与自然界中的一切是相连的,包括我们自己。我们作为人类有幸生活在被认为是自然景观的自然界中。

生活本身就是对变迁和情绪化的反应同时也受到过渡期间短暂的沉思。每一刻都是未来因此通过自我表达的规律调制,刷新,重新调整,改变(每时每刻,每一天)给万物以自然变迁,生存的空间,呼吸和进化。

过程,技术和媒介的实施,只让他们成为一个理想的结果的“指南”。有时我聆听一幅画,我就感觉站在画旁边,绘画决定了自己的命运。

在我的一些作品中还存在着许多生命,以层次的方式存在着,有些多达3-4层。有些画中是有生命的,不断返回画架被重新评估或被重新发现完现即使我认为我已经完成的作品。Picasso曾说:“没有完成的绘画,只有放弃”。然而,我更喜欢Paul Gardner的总结:“一幅画从来不会被完成,它只是停留在一个有趣的地方。”

                                                                                                                                       Astrid

                                                                                                                                  2016



展览部分作品欣赏

 Exhibition of works appreciation











Moon Shining on Yesterday (昨夜的月光)- 120-x90cm -mixed media -2016



Rice Fields and the Purple Dawn (紫色黎明中的稻田)-112 x70cm -mixed media -2016



Flooding the Rice Fields (2) (流动中的稻田)- 70x112cm -mixed media -2016



A Line of Recognition(识别线)-150x114cm -mixed media -2016



Fallen Sun(日落) -138x92cm -mixed media -2016



The Samsara Came with my Birth (我的出生来自轮回)- 100x70cm -mixed media -2016



Rice Fields and the Moon(月亮中的稻田)- 170x90cm -mixed media -2016




Love is the Truth (真爱) - 100x140cm -mixed media




The Samsara of Yesterday (昨天的轮回) - 100x80cm – mixed media






Far Left -Poem to a Tree - Hexagonal (献给树的诗歌) – both mixed media on canvas -50x58cm




Dualities of Regret and Forgiveness (遗憾和宽容)- 130x80cm – mixed media




The Ibis in the Rice Fields (稻田中的朱鹭) - 152x101cm – mixed media




Water From the Mountain (水泉)- 120x140cm – mixed media with gold leaf - 混合材料 金箔




Youth and Old Age are Part of the Same Poem (同一首诗篇中的青春和暮年)100x130cm – mixed media




Its only About the Journey (关于旅行)- 140x100cm – mixed media




Autumn Trees Calling Winter (时间是多数人的敌人 少数人的朋友)- 100x150cm – mixed media



艺术家简介

Artist Profile



ASTRID DAHL CHRONOLOGY – SELECTED EXHIBITIONS


2015 HOLLANDAISE CLUB Singapore – September (Multi-focus) 

2015 JAHROC GALLERY - (Landscape Poetry) 

2009-2014 – ASTRID DAHL STUDIO GALLERY – SINGAPORE - On-going exhibitions 

2013 – JAHROC GALLERY – Margaret River Perth WA 

2013 – RED SEA GALLERY BRISBANE – New works

2012 GADFLY GALLERY – Perth WA - Transitions - Landscapes

2011 ATRIUM GALLERY– Australian High Commission Singapore

2011 JAHROC GALLERY - Margaret River WA (LANDSCAPES)

2009 JAHROC GALLERY - Margaret River WA (LANDSCAPES)

2008 GADFLY GALLERY - WA ( Landscapes Ploughed and wild)

2008 MLC GALLERY - SYDNEY (Landscapes - track and field)

2006 JAHROC GALLERY- Margaret River WA - Landscapes

2005 ARTISTRY / ANNEX GALLERY – Vic - Landscapes

2005 JAHROC GALLERY– Margaret River WA - Landscapes

2003 GADFLY GALLERY– Drifting in a sea of Dreams – (Landscapes)

2002 OWEN HARGREAVES TRIBAL ART GALLERY LONDON– (Landscapes, Africa)

2002 GADFLY GALLERY– A Merger not a Takeover – (Landscapes)

2001 GADFLY GALLERY(Goddess Figures of the Earth – MA exhibition)

2000 GALLOP GALLERY, Charles Sturt University , NSW – MA exhibition

1999 GADFLY GALLERY and Allendale Square Perth WA – Contemporary landscape

1997 MILLENIUM GALLERY WA (Landscapes )

1997 MOORES BUILDING GALLERY- Woodcuts inspired by J. Dahl’s Poetry

1996 THE GALLERY OF FINE ART WA ( Mining )

1994 CULTURAL ART CENTRE ( Denia , Spain ) Spanish works on paper

1993 “A” SHED GALLERY – Fremantle WA- Spanish works on paper ( European focus)

1991 GOLDFIELDS BOARD ART GALLERY – Kalgoorlie WA (Landscapes)

1989 GALLERY 97 - Hong Kong (Landscapes)

1988 BAY GALLERY OF FINE ART - WA (Landscapes)

1986 GOMBOC GALLERY - WA - Strata 2 (Focus on striations of earth and mining)

1985 ALEXANDER GALLERY -WA - Strata 1 (Focus on striations of earth and mining)


RECENT SELECTED GROUP EXHIBITIONS


 Affordable Art Fairs Singapore – 2010 - 2015


 Traffic Jam Gallery – Sydney (July 2012)


 Florence Biennale (Italy) – awarded a High Distinction Medal – 2011


 Represented by Red Sea Gallery in the Singapore Art Fair 2009


 Red Sea Gallery Singapore (Australia Exhibition)2009


 Finalist in the John Leslie 2008 Landscape Prize Exhibition in the Gippsland Regional Gallery Vic.


 Finalist in the Prometheus art awards 2007


 Finalist in the Soroptimists 50th Anniversary Exhibition 2003 WA


 Was invited to take part in “Burning Man” an Arts Festival in Nevada, USA. 2001

 Accent Gallery ‘97


 Finalist in WA Arts Industry Award 1994


 Stafford Gallery of Fine Art WA ‘92


 Printmakers Association WA ‘90 - ‘97 - ‘98


 Finalist in the ACTA Maritime Touring Exhibition Vic. ‘85 PRIZES AND PUBLICATIONS


 Artist's Chronicle (feature article WA) 1996


 Coolgardie Municipal Art Exhibition “Kaleidoscope” (two awards) 1996


 Artist's Chronicle (feature article WA) 1999


 Represented in Book ‘Contemporary Australian Woman Artists' by Max Germaine


 McCulloch's Encyclopaedia of Australian Art published by Aust. Art Editions


 Artlook Magazine - two issues - drawings 1989


 Book of Poetry “Love” with 48 art-works illustrated John Joseph Jones' Poetry


SELECTION OF PUBLIC COLLECTIONS AND RECENT COMMISSIONS Hawthorn Teachers College 


public Art Collection Ministry of Education, public Art Collection WA

Mdang City Council Building - Art Collection PNG


Parker and Parker (Law Firm) WA


Magic Star Mercedes WA


Philips Fox (Law Firm) WA


7rich Tech Trust WA


Murdoch University , public Art Collection WA


Axa Australia (Melb.) public Art Collection - VIC


Travel Lodge- Perth WA


The French Bank - Perth public Art Collection WA


Holyspirit Hostpital Northside public Art Collection - QLD


Speciality Cereals P/L NSW


Red Sea Gallery – Singapore


Hurlingham and Chelsea Art School UK


Kamirice P/L – Kador Group of Companies ( 500 Collins St. Melb)

Several Portraits of private individuals (WA, Sydney, Canada, South Africa and UK) ACADEMIC QUALIFICATIONS ALL OBTAINED IN AUSTRALIA


 4 Year Dip. of Art - Royal Melb. Institute Of Technology Vic.


 Diploma of Education – Hawthorn Teachers College Vic.


 Bachelor of Art Education – Edith Cowan University WA


 Masters of Art and Performance Art – Charles Sturt University NSW


Represented in public and private collections in Australia as well as, the UK, Spain, America, Canada, Hong Kong, New Guinea, and Singapore.


In Mid 2005 Astrid was selected to participate in New York’s Agora Gallery’s 'Out From Down Under and Beyond: An Exhibition of Fine Art from Australia and New Zealand' with 11 other well-known Australian artists.





上海ADA艺术空间ADAGALLERY)


成立于2010年,座落在上海莫干山路M50艺术区,多年来力图通过展览、活动、销售等不同方式,整合、推广、及代理优秀的中国艺术家。2016年伊始,空间将采用全新“12 4”的合力模式,致力于成为中国当代艺术最有力的推动者。


地址:上海普陀区莫干山路50号M50艺术区4号楼B座110

http://blog.artintern.net/20135

ADAartspace@126.com 




ADA

藝術空間


上海普陀区莫干山路50号








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