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超现实的完美造型|福克Via.Slava Fokk


福克Via.Slava Fokk

俄罗斯超现实主义艺术家










斯拉瓦·福克属于俄罗斯南部的年轻一代画家,他在二十年的时间里,在俄罗斯现代艺术进程的背景下,在某种意义上创造了一种非凡的审美现象。
Painter Slava Fokkbelongs to a younger generation of South of Russian painters,who in twenty years created in a sense an aesthetic phenomenon outstanding against a background of Russian modern art-process.

克拉斯诺达尔画家们的进步,是基于高质量的专业教育和学生作品得以参加艺术展览,感谢展览空间和一流的博物馆藏品,使克拉斯诺达尔成为俄罗斯南部城市的文化中心。福克直接进入了这一进程,参加了超越世纪边界的本地区的展览。
The progress of Krasnodar painters is based on a high quality professional education-republican art exhibitions of student works,and thanks to the availability of exhibitions paces and first-rate museum collections, that has made Krasnodar city a cultural centre of southern Russia. Slava Fokk hasperfectly entered into this process with taking part in local and regional exhibitions of centuries boundary.

他与莫斯科“零”美术馆的合作富有非凡的成效。在2007年画廊举办的国际艺术节上,斯拉瓦·福克获得了“传统与时间”提名一等奖,使他得以在2007-2009年间在美国举办多个个人展览。同时,福克的年轻画家风格正在发展。
 His cooperation with “Zero” Moscow Gallery was uncommonly productive.On the International Festival of Arts organized by the Gallery in 2007 Slava Fokk wasawarded the first prize in nomination of “Traditions and Time” that allowed himto hold several personal exhibitions in the US in 2007-2009 years. At the same time the Fokk's style of young painter was developing.

他的绘画方式以“光鲜漂亮的回忆”为特色,选择严苛的绘画技术,以创造技术上完美、造型富有表现力的作品。斯拉瓦福克相当自然的转向荷兰古典油画的创作技巧
 His way of painting is distinguished by a“smart retrospection”- an exacting selection of painting techniques that allowed to create technologically perfect and plastically expressive works. Turning of Slava Fokk to origins of oil painting and to creative techniques of old Dutch manner of painting, was quite natural.

他发展了自己易辩识的复杂绘画表现,创造性地诠释了一个伟大的遗产,绘画造型合理完美富有表现力,作品品味优雅,没有在“超现实主义”数字技术里,表现残忍极限极端
Creatively interpreting a great heritage he developed his own recognizable complex of painting techniques which are justified in the painting and plastically expressive. His work are distinguished by a good taste, without off-limit extremes from an expressive brutality to digital technologies in a “Hyper-Realism”.

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