铃是青铜乐器的原始形态，是中国最早出现的 青铜乐器 。多与马具、兵器伴随出土，可见早期当悬于车马或膝(古时无铃为旗，有铃为膝)。《 诗 ·周颂》中有：“龙膝扬扬，和铃 央央 。”形容军旅的气势，也说明铃的广泛应用。铙、钲、铎直到钟等古代青铜乐器，大体都可以视为是铃的发展。而铃本身的用途也逐渐多样起来，后来最常见的则为大型建筑物上的风铃。如《 宋史 ·礼志》载：“门不设戟，殿角皆垂铃。
Bell is the original form of bronze musical instrument, which is the earliest bronze musical instrument in China. Many of them were unearthed with horse harness and weapons, which can be seen hanging on chariots and horses or knees in early times. 'Poem · song of zhou' in have: 'dragon knee swirl, and bell central.' Describe the momentum of the army, also explain the widespread use of bell. Ancient bronze instruments, such as nao, jing, duo and bell, can be generally regarded as the development of bells. And the bell itself USES also gradually diversifies, afterwards the most common is the wind bell on the large building. Such as 'song shi · li zhi' : 'the door does not set halberd, temple are hanging bell.
此铃采用失蜡法铸造。失蜡法也称“熔模法”，是铸造精致青铜金属器物的重要方法。主要做法是采用蜂蜡做成铸件的模型，再用耐火材料敷成外范，加热烘烤后，让蜡模熔化流出，形成空腔铸范，浇入液态金属，冷却后得到成型铸件。以失蜡法铸造的器物可以做到玲珑剔透、细部刻画逼真、铸体纹饰清晰的效果，古代多用于铸造具有复杂形状的铸件。中国已知最早的失蜡铸件是河南淅川出土的春秋晚期铜盏部件和铜镜以及湖北随县曾侯乙墓出土的青铜尊、盘等。
The bell was cast by the lost wax method. Wax loss method, also known as 'investment method', is an important method for casting fine bronze metal objects. The main method is to use beeswax to make the casting model, and then apply the refractory material into the outer mold, heating and baking, let the wax mold melt out, forming cavity mold, pouring liquid metal, cooling to get the molding casting. The loss of wax method can be used to make the casting instruments exquisite, vivid in detail and clear in texture. In ancient times, it was mainly used for casting castings with complex shapes. The earliest known wax castings in China are the bronze parts and mirrors of the late spring and autumn period unearthed from xichuan, henan province, and the bronze statues and plates unearthed from zeng hou yi's tomb in suian county, hubei province.
此物不仅有较高的艺术价值，它还是研究佛教文化传承历史脉络的重要范本。深刻挖掘九华山深厚的佛教文化内涵，让佛教文化艺术得到保存与发扬，其艺术价值不仅仅体现在文物本身的价值，更为重要的是它能够体现音乐艺术美感领域。
This object is not only of high artistic value, but also an important model for the study of the historical context of the inheritance of buddhist culture. The deep buddhist cultural connotation of jiuhua mountain can be deeply explored, so that the buddhist culture and art can be preserved and carried forward. Its artistic value is not only reflected in the value of cultural relics themselves, but more importantly, it can reflect the aesthetic field of music and art.
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