TOP 1、李可染 深山幽居
題識：黃山松雲。辛酉冬日，文治。
印文：宋、文治、八十年代、風景這邊獨好
Title: Huangshan Songyun. Xin Xindong, Wen Zhi.
Inscription: Song, Wenzhi, the 80s, the scenery alone
TOP 3、宋代 官窯鬲式三足爐
官窯鬲式爐為皇家祭祀或陳設專用器，通體施天青色秞，秞質肥厚瑩潤，口部呈葵花形，腹部出筋，力道剛勁，脛部倭角，線條優美流暢，是陽剛與陰柔之氣的完美結合。整器構思巧妙，做工精良，美觀大方，有很好的觀賞性和實用性，不失為宋代官窯器之精品，極具收藏價值。
This vessel was designed to be used as a special vessel for royal sacrificial rites or for display. The whole body was filled with azure blue glazed pottery. The pottery was thick and lustrous, with a mouth shaped like a sunflower. The whole ware is ingenious in design, well-made, beautiful and generous, with good ornamental value and practicability.
TOP 4、清雍正 青花一束蓮紋盤
此盤敞口，弧腹，圈足，釉面光潤如玉，青花發色淡雅，內壁盤心繪壹束蓮紋，畫工精湛，線條流暢，用青花繪製蓮花圖案，寓意清廉。
This dish is open, arc abdomen, circle sufficient, glazed smooth if jade, blue and white hair color is quietly elegant, heart of inner wall dish draws a bunch of lotus grain, painting is masterly, line is fluent, draw lotus design with blue and white, implied meaning is inconspicuous.
TOP 5、清雍正 仿汝釉如意耳扁壺
仿汝釉扁壺，器形飽滿碩大，通器施淡灰泛青之仿汝釉，素雅極簡而雋永迷人，反映雍正帝的審美品味，實為雍窰佳器。世宗皇帝慕古之情，於本品器形、釉色得以淋漓展現，成功燒造如此巨碩之器且完美掌握比例、釉藥發色，充分展現雍窰燒瓷技法已臻爐火純青，與帝王愛瓷之心。自雍正元年，宮廷造辦處受命所造之器已見不同，禦窰廠督陶官唐英（1682-1756年）創壹類器形簡樸，素面無紋之官瓷。唐氏細研宋代汝、官、鈞等名瓷，以其為範，創燒各式富含古意而新穎瑰美的單色瓷器。扁壺器形傚擬永樂雛本，亦可溯自商朝青銅器，平底壹如明代作例，但瓶頸圓直，不作撇口，頸、耳比例加大，輪廓端秀，更顯釉色雋美。本器釉色摹汝瓷，宋代五大名瓷之首，深得雍正帝傾愛，可見雍窰燒造各式仿汝釉之器。宋時汝瓷以自然為本，釉色宛若「雨過天青」，此件扁壺釉色柔灰中微微泛青，完美再現天青乍現之貌。
It is a kind of flat pot made from imitation of your glaze. The shape of the pot is full and huge, and it is made from pale grey and bluish imitation of your glaze. It is simple but charming, reflecting the aesthetic taste of emperor yongzheng. Emperor shizong's admiration for the ancient times was showcased by the shape and glaze color of this product. He successfully fired such a huge and huge vessel and perfectly controlled the proportion and the color of the glaze. He fully showed the porcelain firing techniques of yonghe kiln and the emperor's love for porcelain. From the first year of emperor yongzheng, there were different kinds of pottery made by the royal office. Tang ying (1682-1756), director of the royal pottery-making factory, made a kind of plain porcelain with no grain on the face. Tang dynasty carefully studied the famous porcelain of song dynasty, such as ru, guan, jun and so on. Flat bottom is just like the Ming dynasty as an example, but the neck is round and straight, without any skimming, the neck and ears are enlarged in proportion, and the contour end is beautiful, which makes the glaze color more beautiful. This article glaze color imitates your porcelain, song dynasty five famous porcelain first, gets emperor yongzheng to pour the love deeply, visible yong kiln firing various imitates your glaze ware. In the song dynasty, your porcelain was based on nature, and the glaze color was like "the rain has passed over the azure".
TOP 6、明萬歷 銅鎏金六方長頸撇口瓶
瓶呈六方形，細長頸，溜肩鼓腹，腹下漸收，圈足，器身局部鎏金，鎏金自然，渾然壹體，器形雋秀，品相完好，實乃珍品。
Bottle was six square, slender neck, slip shoulder drum abdomen, abdomen gradually close, circle foot, part of the body gilt gold, gilt gold natural, one integrated whole, shape juanxiu, product phase intact, it is treasure.
TOP 7、商代 青銅饕餮紋提梁卣
此青銅提梁卣，器型經典，鑄工精美，紋飾瑰麗，比例勻稱，束頸垂腹，飾饕餮紋，輔以繁複裝飾，兩相呼應，華美絕倫，品相尤佳，實為罕珍。商代中葉，「安陽風格」青銅器於殷都（今河南省）地區始漸興盛，本品即為此風格成熟至高之典例。
This bronze girders, classic, beautifully cast, beautifully decorated, proportionate, neck and abdomen, decorated with crepe, complemented by complex decoration, two-phase echo, gorgeous, best-looking, really rare. In the middle of the Shang Dynasty, the “Anyang Style” bronze ware was flourishing in the Yindu (present-day Henan Province) area. This product is a classic example of this style.
TOP 8、明宣德 剔紅穿蓮龍紋蓋盒
明朝皇室、貴胄對蓋盒趨之若騖，宣德時期百業興旺，國力充實，木質器物用料亦十分奢靡，宮內匯聚的頂尖能工巧匠們順應木性，創作出極為講究且專屬皇家的專門製作技藝，利用木質細密質地和極高可塑性制作所需器物。宮廷造辦處的雕工技藝出神入化，空前絕後，絕非壹般工藝品的雕飾可以比擬。因此謹循此道而制出的禦用器物在品相和規格上具有極高價值，此件蓋盒著實印證了上述皇室蓋盒器物之特點。
During the Ming Dynasty, the royal family and the royal family rushed to the cover box. During the Xuande period, the industry flourished, the national strength was full, and the materials used for wooden utensils were also extravagant. The top craftsmen gathered in the palace to adapt to the wood and create a special and exclusive royal production. The craftsmanship uses the fine wood texture and extremely high plasticity to make the required utensils. The carving craftsmanship of the court office is superb, and unprecedented, it is not comparable to the carvings of ordinary crafts. Therefore, the royal utensils produced in accordance with this road have extremely high value in terms of appearance and specifications. This cover box has confirmed the characteristics of the above-mentioned royal box-covering objects.
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