2020年受疫情的影响,哈佛、耶鲁、UCL等海外名校纷纷发布了线上毕设/设计展,以展示学术研究成果。本次GSAPP哥伦比亚大学建筑设计ARCHITECTURE ADVANCED VI方向展出了共计142组的作品。 Architecture Advanced Studio VI下的十七个方向 一格将对本次Columbia哥伦比亚GSAPP建筑设计展进行全面报道,帮助国内同学更好更快地了解海外一手设计成果。以下为建筑方向142组设计成果全播报,扫码可以领取完整142组1000张高清设计大礼包。 扫码获取高清设计合集图纸 点击了解2020哈佛大学74组MArch建筑毕设展播点击了解2020哈佛大学31组景观城规毕设展播点击了解2020耶鲁大学82组建筑设计毕设播报 1HAVANA MICRO XOlga Aleksakova and Julia Burdova, with Esteban de Backer This studio Havana Micro X: Modernist City Planning Model in a Post-Modern World proposes urban hybrids to question inherited cultural, economic, environmental, and technological assumptions. Modern precedents assist participants in re-interpreting historical efforts and ideologies and, hopefully, proposing an alternative urban discussion capable of addressing contemporary issues. Students examine four tissue samples of Havana modernist fabric and study their development under the current conditions of a weakened state. The result is an urban proposal for the selected areas and a zoomed-in examination of a single hybrid building. Students: Anna Creatura, Berkhan Eminsoy, Rebecca Greenberg, Shengyang He, Sirenia Kim, So Jin Kim, Frank Mandell, Kate McNamara 01Berkhan Eminsoy and Sirenia Kim 02Sirenia Kim 03Berkhan Eminsoy 04Anna Creatura and Rebecca Greenberg 05Anna Creatura 06Rebecca Greenberg 07So Jin Kim and Shengyang He 08Shengyang He 09So Jin Kim 10Frank Mandell and Kate McNamara 2EVERYTHING MUST SCALE 3Michael Bell The studio Everything Must Scale 3: Architecture and the Teacher-less School follows a series that have looked at architectural building types increasingly being challenged if not made obsolete. This edition explores what will become of schools as education is increasingly automated, achieved without the same type or number of on-site teachers and in the realms of software and media as education becomes less place-specific and can occur almost anywhere. The studio addresses issues of architecture and scalar realms of economy, energy, and the forms of power or authority that shape the built world. This includes examinations of how the expanded presence of automation, renewable energy, new forms of mobility meet older forms of settlement, architecture, and place.TA: Sunghoon Lee
Students: Leon Esmaeel, Ge Guo, Hyeokyoung Lee, Adam Susaneck, Jiacheng Wang, Qi Yang11Ge Guo 12Adam Susaneck 13Jiacheng Wang 14Qi Yang 15Hyeokyoung Lee 16Leon Esmaeel 3FOREST-TO-CITYDavid Benjamin This studio addresses the massive global construction and rapid urbanization that will occur in the same ten years in which it is critical to drastically cut carbon emissions. We explore a new type of design. We simultaneously design materials, typologies, prototype buildings, forests, and supply chains. We explore architecture as an open system. We explore the use of engineered wood in buildings and the idea of mass timber as a system. We take a critical look at the farm-to-table movement—as well as at some of the past models of architecture as a system—and we develop new kinds of open systems for architecture.TA: Alexander Odom Students: William Anderson, Jack Blythe, Zeid Ghawi, Eduardo Meneses, Arvin Mirzakhanian, James Piacentini, Luo Qingkai, Peter Stoll, Yankun Yang, Shangyu Tian4 17
James Piacentini
18 Eduardo Meneses 19 Luo Qingkai 20William Anderson 21Peter Stoll 22Arvin Mirzakhanian 23Yankun Yang 24Jack Blythe 25Zeid Ghawi 26Shangyu Tian 4COPULA HALLStephen Cassell and Annie Barrett China Miéville’s novel The City & The City serves as the site, program, and universe of the studio. Beginning with close and rigorous reading, analysis, deconstruction, and re‐composition of the text through analytic drawings/models, each student enters and re‐constructs the implied geographies, styles, and site conditions on their terms and in their visual language. The studio progresses from this projective cartography into the iterative exploration and design of a 3D formal language that enables the novels’ inhabitants to negotiate two opposing and intertwined cities.TA: Vanessa Arriagada Students: Sara Almutlaq, Stone Cheng, Jinish Gadhiya, Aayushi Joshi, Jingyuan Li, Jack Lynch, Massimiliano Malago, Tola Oniyangi, Rohan Parekh, Morgan Parrish, Yixuan Shi, Ericka Song 27Ericka Song 28Massimiliano Malago 29Rohan Parekh 30Jinish Pravin Gadhiya 31Tola Oniyangi 32Sara Almutlaq 33Jingyuan Li 34Jack Lynch and Morgan Parrish 35Stone Cheng 36Yixuan Shi 37Aayushi Joshi 5URBAN-SCALED ARCHITECTURAL SPECULATION IN TOKYOSarah Dunn The studio engages and explores the formal and programmatic possibilities of invented large-scale architecture in the city. In a back-and-forth process with key historic projects, the studio develops a series of design-based scenarios that leverage specific qualities of the city and seeks to mine these scenarios for their formal possibilities. With the addition of infrastructure, the studio posits that architecture can be both/and—it can be both about growth and about the environment—through the manipulation of form and the tactical deployment of social and ecological systems.TA: George Louras Students: Tarun Abraham, Dalton Baker, Stephanie Bigelow, Ben Gillis, Xiaoxuan Hu, Ningxin Huang, Timothee Mercier, Chang Pan, Lena Pfeiffer, Randall Scovill, Shiyin Zeng, Xinglu Zhu 38Lena Pfeiffer 39Ben Gillis 40Chan Pan 41Dalton Baker 42Randall Scovill 43Shiyin Zeng 44Tarun Abraham 45Xiaoxuan Hu and Xinglu Zhu 46Ningxin Huang 47Timothee Mercier 48 Stephanie Bigelow 6THE SPACE OF WATERMario Gooden The studio is informed by the history of radical thinking about architecture in the 20th century yet looks beyond to the Afro-Imaginary to present an experimental curriculum deploying techniques culled from the visual arts as well as design theories of geography, infrastructure, engineering, and architecture to initiate dialogues about geography and spatiality in an era of global crisis due to human-induced climate change. More specifically, the studio investigated the cultural topographies of water informed by the line from colonialism to climate change in consideration of forced-migration, resource extraction, environmental degradation, and water scarcity.The studio investigates filmic techniques of narrative, fragment, and structure as analytical and generative tools to speculate towards the design of architectural interventions upon either the land or the sea. Students: Hajir Al Khusaibi, Sultan Alfaisal, Benjamin Gomez Arango, Jolene Jussif, Brandon Kapel, Ugur Tan, Ye Xiong 49 Sultan Alfaisal 50Jolene Jussif 51Ye Xiong 52Ugur Tan 53
Benjamin Gomez Arango
54Hajir Al Khusaibi 55 Hajir Al Khusaibi 7INFRASTRUCTURAL GEOGRAPHYJuan Herreros What is the role of architecture in an environment that needs to invest a lot of energy to get a significant transformation? Where are the limits of scale, amount of architecture and Technification of the territory? What are the pertinent typologies, construction systems, and preservation protocols? The studio Infrastructural Geography: Water, Leisure, and Every Policies imagines a new generation of low-impact clean industry nurseries, research centers, pedagogical institutions, and residential complexes that bring new ways of living to re-equip this geography in an endeavor to redefine its character. This studio wants to design and build a new “rural-urban culture” that takes advantage of dualities such as isolation-connection, natural-artificial, hybridization-specificity, individual-collective, sophisticated-elementary technologies, density-porosity…to create new forms of living, working, leisure and socialization. TA: Jesse McCormickStudents: Joud Al Shdaifat, YixuanCheng, Allison Fricke, Frederico Gualberto Castello Branco, Guillermo Hevia, Alex Hudtwalcker Rey, Ian Lee, Xiaoxuan Li, Michael Mc Dowell, Farah Monib, Zihan Yu, Mengzhe Zhang 56Guillermo Hevia and Alex Hudtwalcker Rey 57 Frederico Gualberto Castello Branco 58Joud Al Shdaifat, Allison Fricke, and Ian Lee 59Yixuan Cheng and Michael Mc Dowell 60Xiaoxuan Li 61Zihan Yu and Mengzhe Zhang 62 Farah Monib 8FACTORYMimi Hoang Students design an urban factory complex that creates collective spatial structures for the manufacturing of artifacts and the shaping of exchanges. The work requires critical engagement with the many historical, social, economic, and technological contexts influencing the design of factories; the studio asks students to re-frame these conditions as innovative spatial formats for manufacture in their architecture. The site is the Bush Terminal; the studio reconsiders this entire complex and envisions a future for it as a center for new industries. The studio considers how each project connects to or informs others in the studio as the semester unfolds—ie. an exquisite corpse, collage, or as part of a master plan—to define the unifying and anomalous criteria of each project in relation to the whole.TA: Eugénie Bliah Students: Feibai An, Joyce Chen, Karen Choi, Xueqi Hu, Junwei Li, Brenda Lim, Wenya Liu, Chun-Chang Tsai, Qingying Wang, Rui Wang, Tianyu Wang, Jingyuan Zhang63Chun-Chang Tsai and Jingyuan Zhang 64 Karen Choi and Brenda Lim 65 Feibai An and Xueqi Hu 66
Wenya Liu and Tianyu Wang
67
Qingying Wang and Rui Wang
68Joyce Chen and Junwei Li 9ARCHITECTONICS OF MUSICSteven Holl, Dimitra Tsachrelia, and Martin Kropac The studio makes a typological analysis of 12 different halls presented by student teams. Based on a musical fragment from a composer (Dvořák, Pärt, Saariaho, Feldman, Ravel, Cage) the students build a model in 20”x20” cube of space focusing on interior geometry with acoustic potential for midterm. Driven by their composition and language experiments each team then designs a 1200 seat concert hall sited in Prague. Students: Siying Chen, Peizhe Fang, Yining He, Yuxin Hu, Lihan Jin, Maini Ke, Jose Vintimilla Granda, Linxiaoyi Wan, Wei Wang, Ziyue Wang, Jingjing Wu, Shuchang Zhou 69 Yining He and Yuxin Hu 70 Lihan Jin and Maini Ke 71 Ziyue Wang and Jingjing Wu 72 Siying Chen and Shuchang Zhou 73 Peizhe Fang and Wei Wang 74 Jose Vintimilla Granda and Linxiaoyi Wan 10MAKERGRAPHAda Tolla and Giuseppe Lignano The Makergraph Studio is a personal, actual, material, and physical investigation of how materials become things, how things make places, and how places shape people. Operations like forging, molding, weaving and stitching are metaphors for how we invent and discover ourselves as people. By paying attention to how you make things, you will understand more about how you make yourself—as a designer, and maybe even as a person.TA: Zia Reza Students: Anam Ahmed, Shaolin Feng, Ambra Gadda, Shanti Gollapudi, Dylan Goldweit-Denton, Jacob Gulinson, Yulin Peng, Christian Pineda, Sofia Rivera Saldana, Aseel Sahab, Christopher Spyrakos, Mingyang Yu 75 Jacob Gulinson 76 Christian Pineda 77 Yulin Peng 78 Shanti Gollapudi 79 Mingyang Aki Yu 80 Ambra Gadda 81 Sofia Rivera Saldana 82 Shaolin Feng 83 Dylan Goldweit-Denton 84 Christopher Spyrakos 85 Aseel Sahab 86 Anam Ahmed 11THE STREETJing Liu In late Modern city planning, street design was almost entirely driven by traffic planning parameters with moderate consideration for vegetation. Today, from the homeless population in LA’s Skid Row and London’s tunnels, to the surveillance system deployed via street cams in Beijing and Hong Kong, from Google’s much-contested Sidewalk Lab pilot in Toronto to the pink pussyhats and the yellow vests, the street in the new millennium is nothing short of the new frontier of cultural expression, public discourse, and technological transformation. Thus in the streets around the world, along with the apparent as well as latent fault lines of social fabrics and technological apparatuses, profound fractures can be seen everywhere. This studio researches the new players in the street, rediscovers past experimentations that might still offer relevance, and studies possible new typologies that might be constitutive of contemporary discourse.TA: Kevin Lamyuktseung Students: Haeri Choi, Hyung Rok Do, Yanxi Fu, Dexter Gao, Wendy Yunting Guan, Byungryoung Lee, Changbin Lee, Zhibin Li, Dylan Mo, Jae Kyun Park, Euna Song, Zifan Zhang 87 Alex Zhibin Li 88 Hyung Rok Do 89 Hyung Rok Do 90 Byungryoung Lee 91 Dylan Mo 92 Euna Song 93
Yanxi Fu
94
Zifan Zhang
95Jae Kyun Park 96 Haeri Choi 97 Changbin Lee 98 Dexter Gao 12KITCHENLESS STORIESAnna Puigjaner This studio looks at the contemporary reality of the city of Lima as a radical trial-and-error urban and architectural experiment. Studying the current community kitchens as a starting point for architectural speculation, the studio researches and understands how these urban infrastructures operate to imagine possible futures for the city of Lima. As a response, the students speculate and design a contemporary domestic landscape where homes rather than being isolated entities are part of a complex whole of shared infrastructures. The students understand the home not simply as an isolated space but as a part of a wider system where the boundaries between public and private, urban and domestic spheres are blurred, but also understand the kitchen as a tool able to redefine preset social, political and economical systems.TA: Juan Pablo Uribe Morales Students: Blithe Archbald, Adina Bauman, Mercedes Castrelo-Huntley, Luiza Furia, Julia Gielen, Andrew Keung, Azul Klix, Ibrahim Kombarji, Kabir Sahni, Emily Tobin, Jamie Vinikoor, Luna Yue Zuo 99Julia Gielen and Emily Tobin 100 Adina Bauman and Luiza Furia 101 Adina Bauman and Luiza Furia 102 Azul Klix and Ibrahim Kombarji 103 Jamie Vinikoor and Luna Yue Zuo 104 Blithe Archbald and Mercedes 13AMAZONIA AFTER FITZCARRALDOPedro Rivera In 1982, Werner Herzog went to Amazonia to shoot Fitzcarraldo. The character decides to make a shortcut and transport his ship up a muddy hill to avoid water streams. The scene illustrates the clash between the time of the river and western civilization. Five hundred years after the first European expeditions, the forest, its populations, and cultures are still understood as enemies to be defeated and exploited. In this context, what does it mean to design for Amazonia? In the studio, students investigated networks and systems at a local and global scale and proposed alternative development scenarios through buildings, infrastructures and public spaces.TA: Khoi Nguyen Students: Gauri Bahuguna, Hongyi Chen, Matteo Cordera, Marc Francl, Hector Garcia, Ghaidaa Gutub, Bassam Kaddoura, Lucy Navarro, Matthew Ninivaggi, Julia Pyszkowski, Maxime St. Pierre Ostrander, Xinyi Zhang 105Lucy Navarro and Gauri Bahuguna 106Ghaidaa Gutub and Bassam Kaddoura 107 Marc Francl and Julia Pyszkowski 108 Matteo Cordera and Matthew Ninivaggi 109 Hector Garcia and Maxime St. Pierre Ostrander 110 Hongyi Chen and Xinyi Zhang 14MIXED-USE, STAIRCASES, SOCIAL…Hilary Sample This studio investigates the qualities of “large scale public spaces contrasting with the small private-scale patterns required within.” Given a generic structural grid and nondescript facade, that signals an architecture that is adaptable in the future. This studio researches, examines, and designs a new paradigm for social spaces within a proposed mixed-use program. Staircases, passageways, and associated vertical circulation elements can be rethought as interconnected social collective circulation space(s) instead of discrete, or residual spaces. This studio explores the intersection of the social, technological, and cultural practices within the discipline of architecture. The final design problem is a set of connected, collective circulation spaces, stairs, elevators, escalators, ramps, landings, handrails, walls, etc… that propose a paradigm for reimagining the interior life of a building.TA: Paul Ruppert Students: Matthew Acer, Chutiporn Buranasiri, Qiazi Chen, Yanan Cheng, Bokang Du, Luyi Huang, Hanseul Jang, Miles Mao, Guangwei Ren, CJ Wang, Lu Xu, Han Zhang 111 CJ Wang 112 Guangwei Ren 113 Han Zhang 114 Hanseul Jang 115 Lu Xu 116 Yanan Cheng and Luyi Huang 117
Matthew Acer
118 Miles Mao 119 Chutiporn Buranasiri 120 Qiazi Chen 121 Bokang Du 15SOMETHING OF VALUEGalia Solomonoff The studio’s mission is to design Something of Value. The students design for an assumed “client,” who is in charge of the “X” company, comparable to Related or SL Green in the US, that is headquartered in London. The “X” company owns millions of square feet of real estate around the world, the majority of which is commercial office space. With commercial office space currently shifting towards sharing types, the client wishes to experiment with new hybrids that combine work, art, commerce, and education, but not residential use. The project is to design a building(s) as a “gift”, Something of Value, for the city of London, which would give the “X” company additional development rights in return, with the exact program to be defined by each student or team.TA: Udit Goel Students: Munise Aksoy, Qianfan Guo, Gin Jin, Yoonwon Kang, Niki Kourti, Haoming Li, Xutian Liu, Oscar Mayorga Caballero, Alexandros Prince-Wright, Xin Qin, Helena Ramos Musetti Pestana, Christine Shi 121 Munise Aksoy and Gin Jin 122 Helena Ramos Musetti Pestana 123 Xin Qin and Haoming Li 124 Qianfan Guo and Christine Shi 125 Yoonwon Kang 126 Oscar Mayorga Caballero 127 Xutian Liu 128 Alexandros Prince-Wright 129 Niki Kourti 16OPEN WORKEnrique Walker This studio addresses three open-ended buildings in Japan, namely: Masato Otaka’s Sakaide Artificial Ground, Sachio Otani’s Kawaramachi Housing Project, and Kenzo Tange’s Dentsu Headquarters Building. The studio brief is simple. Each student joins a team, is assigned to a building, and is asked to double its surface. Do you endorse openness, and observe, refine, or redefine the original script? Do you argue against it, and monumentalize? What is at stake is to design in conversation with, and take a position on, a building and the arguments it advanced, and to tackle a longstanding question within the field, again, half a century later. Students: Haitong Chen, Qifeng Gao, Xinning Hua, Isaac Kim, Yu Kon Kim, Kyu Chan Kwak, Sanggyu Shin, Helena Urdaneta Palencia, Yanni Wang, Yechi Zhang, Chenyan Zhou, Tim Zhou 130 Haitong Chen, Qifeng Gao, Xinning Hua, and Yechi Zhang 131 Yu Kon Kim, Kyu Chan Kwak, Helena Urdaneta Palencia, Chenyan Zhou 132
Isaac Kim, Sanggyu Shin, Yanni Wang, Tim Zhou
17CULTURAL AGENTS ORANGE (VIETNAM)Mark Wasiuta With the Vietnam war and its legacies as persistent reference, in light of Vietnam’s new antagonisms with China and other neighbors, and with the intertwining of culture and environment at stake, this studio worked through the architecture and cultural agency of concentrations. Through concentration the studio analyzed and reconceived cultural institutions, archives, and processes that assemble artifacts, objects, and bodies. It also studied Agent Orange, carpet bombing, and other elements of the chemical war that so drastically altered the Vietnamese environment and that continue to communicate their histories and effects. Hence, for this studio, concentration served as a marker of environmental contamination and alteration, cultural institutions, political histories, and their architectural and spatial manifestations.TA: Jarrett Ley Students: Sneha Aiyer, Grace Alli, Sritoma Bhattacharjee, Seid Burka, Gabriel Chan, Shailee Kothari, Maria Macchi, Rafaela Olivares, Manuela Siffert Porto, Nika Teper, Uthra Varghese, Kachun Alex Wong 133Maria Macchi 134 Nika Teper 135 Kachun Alex Wong 136 Gabriel Chan 137 Grace Alli 138 Shailee Kothari and Uthra Varghese 139 Sritoma Bhattacharjee 140 Rafaela Olivares 141 Sneha Aiyer 142 Manuela Siffert Porto 扫码添加获取更多资源