艺术家 / Artist
策展人 / Curato
王友江 / Wang Youjiang
艺术的发展史是人类文明共同交融发展而成，不可能是一枝独秀，当代艺术家应该站在人类文明的视野去思考问题，才能知道本国的文明高度。对生命的悲悯与尊重是现代文明社会的基本内核，也是艺术家的基本心质。艺术家的作品体现了对生命的关爱，对社会的体验，对世界的认知。在疫情不便之际我通过线上交流展的方式，以"各境与相望"作为展览的主题，让艺术家用艺术作品来沟通彼此、传递关爱、融合文明，让艺术拥抱世界。
The development history of art is the integration and development of human civilization, which can not stand alone. Contemporary artists should think from the perspective of human civilization in order to know the height of their own civilization. Compassion and respect for life is not only the basic core of modern civilized society, but also the basic essence of artists. The artist's works embody the love for life, the experience of society and the cognition of the world. At a time when the epidemic situation is inconvenient, I use the online exchange exhibition to take "all environments and facing each other" as the theme of the exhibition, so that artists can use their works of art to communicate with each other, convey love, integrate civilization, and let art embrace the world.
艺术家 / Artist
吉安保罗 /Gian Paolo Dulbecco
意大利艺术家
1941年生于拉斯佩齐亚。1958年，他的家人搬到米兰，他是托马索·格诺内的学生，从他那里学习了干点雕刻技术并开始绘画。
1966年3月，他从Politecnico毕业，继续培养自己对艺术的兴趣，没有受过任何专业的艺术教育。
1969年，他住在罗马，在那里他了解了巴尔萨斯在美第奇别墅展出的画作；然后他再次来到米兰，离开米兰前往欧洲进行各种旅行。尤其是在比利时，他看到了马格里特（Magritte）的德尔沃（Delvaux）的画作。还有伟大的佛兰德绘画。
他开始发展石头船的主题，作为对台伯岛的记忆，其次是神谕、诺图尼和形而上学的理想城市。
它还涉及到神圣艺术的主题，尤其是受到15世纪提拜兹（Thebaids）启发的耶稣诞生场景。
1975年，他在蒙扎定居。他参加了众多意大利城市的个人和集体展览。
1984年，他在米兰凭借《博斯科故事》（Storie del bosco）获得卡地亚奖；1992年，他是《艺术》杂志的获奖者之一。
法国评论家皮埃尔·雷斯塔尼邀请他在1993年在罗马以及随后几年在维也纳和阿姆斯特丹举办的“集体艺术与塔巴克”上展示他的塔罗牌系列。
他还在伦敦、弗莱堡、波尔图、里昂、里斯本和布鲁塞尔的意大利文化研究所展出，最后在东京展出。1998年，他将再次在日本横滨展出，1999年和2001年，他将再次在东京展出。
90年代末，他开始直面亚特兰蒂斯的神话。
2002年，萨勒诺的Soprintendenza ai Beni Cultural在拉韦洛主办了一场选集展览，2005年，他再次与Luzzati一起展出。
这些年来，普尔西内拉的形象开始出现在他的绘画中，被理解为一种普遍的人类原型。在同一年里，他处理了人物对抗阴影、迷宫和神秘笼子的主题。
2012年，他受全景博物馆（Panorama Museum）邀请，在意大利当代形而上学绘画集体展（Dopo de Chirico）上展示了一些作品。
他的一些绘画作品被永久地收藏在意大利和外国的公共收藏品中。
Italian artist
Born in La Spezia in 1941. In 1958, his family moved to Milan. He was a student of Tommaso Gnone. From him, he learned dry point carving technology and began painting.
In March, 1966, he graduated from Politecnico and continued to cultivate his interest in art without any professional art education.
In 1969, he lived in Rome, where he learned about the paintings exhibited by balthas at the Villa Medici; Then he came to Milan again and left Milan for various trips to Europe. Especially in Belgium, he saw the paintings of Delvaux by Magritte. There are also great Flemish paintings.
He began to develop the theme of stone boats as a memory of Tiber Island, followed by the Oracle, notuni, and the metaphysical ideal city.
It also deals with the theme of sacred art, especially the scene of the birth of Jesus inspired by thebaids in the 15th century.
In 1975, he settled in Monza. He participated in individual and collective exhibitions in many Italian cities.
In 1984, he won the Cartier prize in Milan for his story del Bosco; In 1992, he was one of the winners of art magazine.
French critic Pierre restani invited him to show his Tarot series at the "collective art and Tabak" held in Rome in 1993 and in Vienna and Amsterdam in subsequent years.
He also exhibited at the Italian Institute of culture in London, Freiburg, Porto, Lyon, Lisbon and Brussels, and finally in Tokyo. In 1998, he will be exhibited again in Yokohama, Japan, and in 1999 and 2001, he will be exhibited again in Tokyo.
In the late 1990s, he began to face the myth of Atlantis.
In 2002, soprintendenza AI Beni cultural of Salerno hosted an anthology exhibition in Ravelo, and in 2005, he exhibited with Luzzati again.
Over the years, the image of pulcinera began to appear in his paintings and was understood as a universal human prototype. In the same year, he dealt with the theme of characters fighting against shadows, mazes and mysterious cages.
In 2012, he was invited by the panorama museum to show some works at the Italian contemporary Metaphysical Painting collective exhibition (DOPO de Chirico).
Some of his paintings are permanently collected in Italian and foreign public collections.
吉安保罗《黑色，白色》布面油画 / Gian Paolo Dulbecco - Black, white . 29x39cm . oil on panel, 2006
吉安保罗《神奇的房间》布面油画 / Gian Paolo Dulbecco - Magical room. 30x40cm . oil on panel, 2010
艺术思考：
这是在一段隐秘的作品时期之后发生的，他渴望作品的隐形和沉默，而不是当前的艺术壮观。
作品通常包含在维度中，并且通常建立在黄金分割的基础上，魔幻现实主义的方式。
Artistic thinking:
This happened after a period of secret works. He longed for the invisibility and silence of his works, rather than the current artistic grandeur.
Works are usually contained in dimensions, and are usually based on the golden section, magic realism.
吉安保罗《无题》布面油画 / Gian Paolo Dulbecco - Untitled. 31x30cm . oil on panel, 2008
吉安保罗《食肉植物林中的剧院》布面油画 / Gian Paolo Dulbecco - The theater in the forest of carnivorous plants . 30x24cm . oil on panel, 2018
吉安保罗《向贝拉斯克斯致敬》布面油画 / Gian Paolo Dulbecco - Tribute to Velazquez. 30x25cm . oil on panel, 2008
艺术家 / Artist
丁一军 / Ding Yiyun
中国艺术家
1984年毕业于西安美术学院版画系，目前工作生活于上海、湖州两地。
主要展览：
1998年丁一军现代油画作品展，青海师范大学，西宁；
2000年丁一军油画作品展，浙江湖州师范学院，湖州；
2006年入境中国美学双年展，上海当代艺术博物馆，上海；
2009年生化虚实之间动漫展，今日美术馆，北京；
2013年寻常梦丁一军个展，翎艺馆，上海；2014年表情丁一军个展，M50，上海；
2015年任性丁一军个展，木田画廊，大理；
2016年姿态丁一军个展，湖州；
2016年重绘画博弈当代艺术困境群展，798白盒子，北京；
2019年乐园丁一军个展，湖州；
2019年并非丛林丁一军同城两地个展大浦当代艺术馆，成都；X空间，成都；
2020年202020 丁一军个展，西宁。
Chinese Artists
He graduated from the printmaking department of Xi'an Academy of Fine Arts in 1984 and currently lives in Shanghai and Huzhou.
Major works：
1998，DingYijun modern oil painting exhibition, Qinghai Normal University, Xining；
2000，Ding Yijun oil painting exhibition, Huzhou Normal University, Huzhou；
2006，China aesthetics Biennale, Shanghai Museum of contemporary art,Shanghai；
2009，Animation Exhibition between the real and the real, Today ArtMuseum, Beijing；
2013，Ordinary dream Ding Yijun solo exhibition, Lingyi Museum, Shanghai；
2014，Emoticon Ding Yijun solo exhibition, M50, Shanghai；
2015，Willful Ding Yijun solo exhibition, mudian Gallery, Dali；
2016，Posture Ding Yijun solo exhibition, Huzhou；
2016，Groupexhibition of contemporary art dilemma with emphasis on painting game, 798white box, Beijing；
2019，Individualexhibition of the first army of paradise, Huzhou；
2019,No jungle, Ding Yijun, two exhibitions in the same city, TaffContemporary Art Museum, Chengdu; X space, Chengdu；
2020， 202020 Ding Yijun Solo Show， Xining
丁一军《向前看》木雕、钢板 / Ding Yijun - look forward . 100X120X200cm . Wood carving, steel plate . 2020
丁一军《好看的姿态》布面丙烯/ Ding Yijun - Good looking posture . 200X150cm . Cloth propylene . 2020
艺术思考：
在这个特殊的时期，生活的方式生活的节奏有了很多变化，感觉时间也慢下来了。我无聊时回顾过往的经历和工作实践。大部分时间是在否定和重建中度过，在不停折腾的过程中寻找一些内心脆弱的感受，尝试一些媒介表达更广泛的可能性。实践完全是个人私密行为和思想流露，关注人生命、生存的现实对当下现实世界中诸多问题的关切一直是我作品的主线，艺术就是现实的影子。
Artistic thinking:
In this special period, the way of life and the pace of life have changed a lot, and I feel that time has slowed down. When I was bored, I reviewed my past experience and work practice. Most of the time is spent in negation and reconstruction, looking for some fragile feelings in the process of constant tossing, and trying to express a wider range of possibilities through some media. Practice is completely personal private behavior and thought revelation. Paying attention to the reality of human life and survival, and paying attention to many problems in the current real world has always been the main line of my work, and art is the shadow of reality.
丁一军《奈何》布面丙烯 / Ding Yijun - How . 200X150cm . Cloth propylene . 2020
丁一军《捂捂》纸面丙烯 / Ding Yijun - Cover cover . 30X25X55 . Paper propylene . 2020
丁一军《明年春天》布面丙烯 / Ding Yijun - Next spring 200X150cm . Cloth propylene . 2020
艺术家 / Artist
李秀山 / Lee,Soosan
韩国艺术家
1984 出生于光州广域市/ 2011 德国 明斯特造型艺术学院纯艺术专业毕业/ 活动于德国柏林和韩国宝城/ <个展 - 4回> 明斯特，宝城 等/ <主要群展> 2021 SOO-SAN LEEX YULPO OCEAN BREEZE，栗浦海边，宝城郡，韩国/ 2019 Smukfest，山毛榉树林，斯坎德堡，丹麦/ 2013 Red Room - 白庙村项目，宋庄 白庙村，北京，中国/ 2011 The other side, Schwules Museum, 柏林, 德国/ 2011 On the road home, Neno Parkas Gallery, 考纳斯, 立陶宛/ 2009 Do one thing at a time, Kunstverein Ulm, 乌尔姆，德国/ 2008 New land，Kulturbahnhof Eller，杜塞尔多夫，德国/ <获奖及驻地项目> 2013 光州市立美术馆北京创作中心 驻地艺术家
Korean artists
1984 Born in Gwangju, Korea/ 2011 Graduated from Münsterkunst Academy of Fine Arts, Germany/ Activities in Berlin, Germany and Boseong, Korea/ Münster, Boseong, etc/ 2021 SOO-SAN LEE X YULPO OCEAN BREEZE, Yulpo Beach, Boseong County, Korea/ 2019 Smukfest, NeoDo Chestnut tree forest, Skanderborg, Denmark/ 2013 Baimiao Village Project - Red Room, Songzhuang Baimiao Village, Beijing, China/ 2011 The other side, Schwules Museum, Berlin, Germany/ 2011 On the road home, Neno Parkas Gallery, Kaunas, Lithuania/ 2009 Do one thing at a time, Kunstverein Ulm, Ulm, Germany/ 2008 New land, Kulturbahnhof Eller, Düsseldorf, Germany/ 2013 Gwangju Museum of Art Beijing Residencie
李秀山《红房子 - 欲望粘贴》(白庙村艺术计划参展场景) 纸、胶 尺寸可变 / Lee,Soosan - The Red Room - Sticky desire（Scenes from Baimiao Village Art Project）. paper, glue dimensions variable . 2013
李秀山《欲望粘贴》 纸、胶、照片 尺寸可变 / Lee,Soosan - Sticky desire . paper, glue photograph dimensions variable . 2013
艺术思考：
在穷困潦倒下，从美术学校毕业后，我就漂泊于世了。
陌生的国家，陌生的语言。
白天好像在充满活力的冒险，所以很兴奋，
一到晚上就特别害怕。
安慰我漫长夜晚的3美元的宿舍。
每天晚上都做噩梦。
污水横溢的马桶。
满是跳蚤的床。
白晃晃地走近的揽客们。
在大街上转来转去寻找映射我自己的东西，
拍了照片，其结果就是这个《哪里都没有我的家》。
我如此寻找的家，虽然最终还是没能找到，
但现在我摆脱了无处可住的心情。
青春和漫长的旅行结束了。
Artistic thinking:
Nowhere Is My Home, 2021
After graduating from art school on a poor subject, I wandered around the world.
A strange country, a strange language.
During the day, I was excited because it seemed like I was having a lively adventure,
I was so scared at night.
Three-dollars accommodations that comforted my long night.
I had nightmares every night.
a toilet overflowing with filth.
a bed full of fleas.
callers approaching with a glimmer of white.
I've been hanging around the streets for a long time, looking for a projection of myself,
I took a picture, and the result is this series 'Nowhere Is My Home’.
I couldn't find my house that I had been looking for so much,
Now I feel like I have nowhere else to stay.
李秀山《为什么》 照片 、尺寸可变 / Lee,Soosan - Pourquoi . photograph dimensions variable . 2013
李秀山《即将到来》 摄影 尺寸可变 / Lee,Soosan - Coming soon . photograph dimensions variable . 2012
李秀山《艺术家的茶生活》 综合材料 尺寸可变 / Lee,Soosan - Tea Time Log . mixed media dimensions variable . 2021
艺术家 / Artist
夏 洁 / Xia Jie
中国艺术家
湖南省美术家协会会员、湖南省油画学会会员、写生湖南创作画会主席团成员、快乐写生俱乐部先锋小组成员、衡阳市油画学会副会长兼党支部书记、衡南美协副主席，南华大学设计学院特聘副教授，衡阳市书画院特聘画家。
2021油画《猫冏之蓝猫》在第二届全国美术教育教师作品展中获入会资格。（中国美协主办）。
2021油画《桃之夭》在精神.图式--第二届中国写意油画双年展获入会资格。（中国美协主办）。
2018年油画《猫囧》在中国梦.燕赵雄风全国中国画、油画作品展中获入会资格。（中国美术家协会主办）作品由组委会收藏。
2022年油画《蓝香》入选心境.物语—首届中国写意油画静物专题研究展
2022年油画《无题》获第四届国际抽象网络展三等奖2021油画《寂静的港湾》入选“盛世丹青”湖南省城市画院作品联展。
2020油画《猫冏系列之四--蓝猫》入选徐悲鸿油画院庆祝新中国成立70周年油画展暨第二届年度展。
2019油画《猫囧之粉色家族》、《红高粱系列》入选《缀玉连珠--中国女画家作品邀请展》。
2018年油画作品《我的老师》、《红高粱》入选“中国艺术家平行展”。
2018年油画《憩》获首届《心画怒放》快乐中国写生俱乐部全国油画作品优秀奖。
Chinese Artists
Member of Hunan Artists Association, member of Hunan oil painting society, member of the presidium of Hunan Painting Association, member of the pioneer group of happy sketching club, vice president and Party branch secretary of Hengyang oil painting society, vice president of Hengnan Art Association, distinguished associate professor of the school of design of Nanhua University, and distinguished painter of Hengyang painting and Calligraphy Academy.
2021 oil painting "blue cat of cat" won the membership qualification in the second national art education teacher works exhibition. (sponsored by China Artists Association).
2021 oil painting "the death of peach" is in the spirit Schema -- the second China freehand brushwork oil painting Biennale won the membership qualification. (sponsored by China Artists Association).
2018 oil painting "cat embarrassment" in Chinese dream Yan zhaoxiongfeng was admitted to the National Exhibition of Chinese paintings and oil paintings. (sponsored by China Artists Association) the works are collected by the organizing committee.
2022, the oil painting "blue fragrance" was selected into the mood Story of things - the first Chinese freehand oil painting still life special research Exhibition
2022, the oil painting untitled won the third prize in the Fourth International abstract network exhibition, and 2021 oil painting silent Harbor was selected into the joint exhibition of works of Hunan Urban Painting Academy of "flourishing painting".
2020 oil painting "Cat Series 4 - blue cat" was selected into the oil painting exhibition and the second annual exhibition of Xu Beihong oil painting academy to celebrate the 70th anniversary of the founding of new China.
2019 oil paintings "pink family of cat embarrassment" and "Red Sorghum Series" were selected in "jade beads -- invitation exhibition of Chinese female painters' works".
2018, oil paintings "my teacher" and "Red Sorghum" were selected in the "parallel exhibition of Chinese artists".
2018, the oil painting "rest" won the national oil painting Excellence Award of the first happy Chinese sketching club "heart painting in full bloom".
夏洁《精灵家族》布面油画 / Xia Jie - Elf family . 140x100cm . Oil on canvas . 2021
夏洁《梦幻猫》布面油画 / Xia Jie - Dream cat . 100x120cm . Oil on canvas .2019
艺术思考：
艺术创作是我生命中的一个重要组成部分。父亲是我最直接的启蒙老师，小时候看到衣柜上父亲画的荷花和鸟，心里有一种莫名的喜悦。喜欢简单快乐的生话、不喜欢限定自己，在绘画中注重个人情感自由去表达，带着激情去丰盈画面，把自己内心喜怒哀乐铺撒在画面上，通过图式来表达着自己，表达自己的认知。画过几个系列，其中猫系列画的较多，用拟人化的手法去表达，人生百味，猫生百态。关注猫的神情，感受它们的内心世界。每一只猫代表不同的人，有阳光正直的，挺身而出的哥们。有可爱清纯的。有躲在人后耍阴谋使诈的，有神秘梦幻的，有伸着懒腰享受生活的。有耍酷装B的。有的与队友一起，像模像样，面上神定自如，可内心充满算计的，有慈眉善眼宽宏大度的……
我有一种好奇心、期待作品最后效果，就这样一直坚持下去····
Artistic thinking:
Artistic creation is an important part of my life. My father is my most direct first teacher. When I was a child, I felt a kind of inexplicable joy when I saw the lotus and birds painted by my father on the wardrobe. Like simple and happy words, don't like to limit yourself, pay attention to the free expression of personal emotions in painting, enrich the picture with passion, spread your inner emotions on the picture, express yourself and express your cognition through schema. He has painted several series, among which the cat series is more, which is expressed by personification. Life is full of flavors, and cats are full of states. Pay attention to the look of cats and feel their inner world. Each cat represents a different person, with sunshine, integrity and courage. There are lovely and pure ones. Some hide behind people and play tricks, some are mysterious and dreamy, and some stretch to enjoy life. There are people who play cool and wear B. Some are decent with their teammates, calm and free on the face, but they are full of calculation in the heart, and some are kind-hearted and magnanimous
I have a kind of curiosity and look forward to the final effect of the work, so I've been sticking to it····
夏洁《猫冏之粉色家族》布面油画 / Xia Jie - Cat pink family . 100x120cm . Oil on canvas . 2020
夏洁《猫冏之蓝猫》布面油画 / Xia Jie - Blue cat of cat .100x120cm . Oil on canvas . 2021
夏洁《梦幻猫之二》布面油画 / Xia Jie - Dream cat II 100x120cm . Oil on canvas . 2019
艺术家 / Artist
李雄伊 / Li Xiongyi
中国艺术家
1988 年出生于辽宁省沈阳市。
2008 年 9 月至 2009 年 7 月进修于中央美术学院造型学院。
个展经历
2007 年 12 月于北京 798 安妮画廊举办个人画展。
2010 年 8 月北京时代美术馆主办李雄伊个展“雄伊的世界”。
2011 年 12 月上海美术馆主办、上海大家艺术沙龙协办“雄伊的世界--李雄伊油画作品展”。
2012 年 9 月北京·今日美术馆“雄伊开学了-李雄伊油画作品展”。
2014 年 4 月加拿大温哥华·不列颠哥伦比亚大学亚洲中心“雄伊的世界--李雄伊油画展”。
2017 年 8 月北京斑马谷文化主办“海的尽头是大海”个展。
2019 年 2 月举办“乙亥吉相”——南方、李雄伊双个展。
2020 年 8 月参加于今日美术馆“自然与自在——当代油画家李雄伊新作展”。
2022 年 5 月北京798第零空间“画布上的自由” 李雄伊个展。
重要联展
2009 年 6 月参加宋庄虹湾美术馆“我的坊友我的坊”联展。
2010 年 5 月参加北京时代美术馆“时代的转角”联展。
2011 年 1 月参加北京时代美术馆“非常向上-后生代画家提名展”。
2012 年 12 月深圳美术馆“微体验--2012 青年艺术家邀请展”。
2013 年 4 月上海张江美术馆“微体验--2013 青年艺术家邀请展”。
2015 年 1 月参加 Avila University Thornhill Gallery 举办的二人联展“东方梦”画展。
2015 年 4 月参加在旧金山 Misho Gallery 举办的“亚洲六艺”画展。
2016 年 11 月参加天人合一“森林中国·未来林”。
2016 年纽约艺术文献展。
2017 年 5 月北京 798XYZ 画廊“ASA-XYZ 青年艺术家”提名展。
2017 年 9 月参加于秘鲁举办的“智造--中国当代艺术展”。
2017 年 12 月参加于智利举办的“智造--中国当代艺术展”。
2018 年 6 月参加在北京 798 桥艺术空间举办的“智造--中国当代艺术南美巡回汇报展”。
2018 年 9 月参加在法国巴黎诺曼底画廊举办的"平行.世界”---中国油画家赴欧交流展。
2021 年 4 月于北京天桥艺术中心参加“生活的诗与歌”联展。
2022年4月北京第零空间《画布上的自由-李雄伊个展。
Chinese Artists
Born in Shenyang, Liaoning Province in 1988.
From September 2008 to July 2009, he studied at the school of plastic arts of the Central Academy of fine arts.
Personal exhibition experience
In December, 2007, he held a solo exhibition at 798 Anne Gallery in Beijing.
In August, 2010, Beijing Times Art Museum hosted Li xiongyi's solo exhibition "xiongyi's world".
In December, 2011, Shanghai Art Museum hosted and Shanghai everyone Art Salon co organized "Xiong Yi's world -- Li xiongyi's oil painting exhibition".
In September, 2012, Beijing Today Art Museum "xiongyi school begins - Li xiongyi oil painting exhibition".
In April, 2014, the Asian center of the University of British Columbia, Vancouver, Canada, "Xiong Yi's world - Li Xiong Yi Oil Painting Exhibition".
In August 2017, Beijing zebra Valley culture hosted the solo exhibition "the end of the sea is the sea".
In February, 2019, the "Yi Hai Ji Xiang" - the two solo exhibitions of Nanfang and Li xiongyi were held.
In August 2020, he participated in the "nature and freedom - new works exhibition of contemporary oil painter Li xiongyi" in Today Art Museum.
In May, 2022, Li xiongyi's solo exhibition "freedom on canvas" in Beijing 798 zero space.
Important joint exhibition
In June, 2009, he participated in the joint exhibition of "my friends, my workshop" at Hongwan Art Museum in Songzhuang.
In May, 2010, he participated in the joint exhibition of "the corner of the times" at Beijing Times Art Museum.
In January, 2011, he participated in the "very upward - Nomination Exhibition of later generations of painters" at the time art museum in Beijing.
In December, 2012, Shenzhen Art Museum "micro experience - 2012 Young Artists Invitation Exhibition".
In April, 2013, Shanghai Zhangjiang Art Museum "micro experience - 2013 Young Artists Invitation Exhibition".
In January, 2015, he participated in the "Oriental Dream" painting exhibition held by Avila University Thornhill gallery.
In April, 2015, he participated in the "six Asian Arts" exhibition held at Misho Gallery in San Francisco.
In November 2016, he participated in the "forest China · future forest" of the unity of nature and man.
2016 New York art literature exhibition.
In May, 2017, the Nomination Exhibition of "asa-xyz young artists" at 798xyz Gallery in Beijing.
In September 2017, he participated in the "smart manufacturing - Chinese Contemporary Art Exhibition" held in Peru.
In December 2017, he participated in the "smart manufacturing - Chinese Contemporary Art Exhibition" held in Chile.
In June, 2018, he participated in the "smart manufacturing - South American tour report exhibition of Chinese contemporary art" held at 798 bridge art space in Beijing.
In September, 2018, he participated in the "parallel world" -- the European exchange exhibition of Chinese oil painters held at the Normandy Gallery in Paris, France.
In April, 2021, he participated in the joint exhibition of "poems and songs of life" at Beijing overpass Art Center.
In April, 2022, Beijing zero space 'freedom on canvas - Li xiongyi's solo exhibition.
李雄伊《春天的动物园》 布面油画 / Li Xiongyi - Zoo in spring . 80x60cm . Oil on canvas . 2020
李雄伊《蝴蝶睡了》 布面油画 / Li Xiongyi - Butterfly is asleep . 60x50cm . Oil on canvas . 2020
艺术思考：
“如果再活一次，我愿意成为一个动物，因为他们自由自在生活的简单”
——李雄伊。
雄伊的绘画题材几乎无一例外地取材于自己的真实生活——或者是室内的陈设，或者是自己的亲人朋友，当然也包括对一些风景的描绘。雄伊的这种生活式描绘赋予了其作品色彩斑斓的存在感。然而，他也在自己的描绘中为这些在我们日常生活中十分熟悉的场景罩染了一层童话色彩。我们会在雄伊的作品中会发现，那些司空见惯的事物和风景突然变得可爱了起来，那些玩具也具有了生命，似乎在我们面前打开了一扇窗，让我们看到了那个只属于玩具的世界，而这个世界也正是雄伊的心灵之境。
Artistic thinking:
"If I live again, I would like to be an animal, because they live freely and simply."
——Li xiongyi.
Xiong Yi's painting themes are almost invariably based on his real life - either indoor furnishings, or his relatives and friends, including the depiction of some landscapes. Xiong Yi's description of this lifestyle gives his works a colorful sense of existence. However, he also painted a fairy tale color for these familiar scenes in our daily life in his own description. We will find in Xiong Yi's works that those common things and landscapes suddenly become cute, and those toys also have life. It seems that a window has been opened in front of us to let us see the world that only belongs to toys, and this world is Xiong Yi's spiritual realm.
李雄伊《妈妈的山》布面油画 / Li Xiongyi - Mom's mountain 30x60cm . Oil on canvas . 2021
李雄伊《行走的街灯》 布面油画 / Li Xiongyi - Walking street lamp .100x120cm . Oil on canvas . 2020
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李雄伊《漩涡》布面油画 / Li Xiongyi - vortex . 80x120cm . Oil on canvas . 2021
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