The Position of Father, 2013, oil on canvas, 55-1/2" x 86-5/8" (141 cm x 220 cm)
The Order of the World, 2016, oil on canvas, 120 cm × 150 cm (47-1/4" × 59-1/16")
Light No. 10, 2022, oil on canvas, 120 cm × 150 cm (47-1/4" × 59-1/16")
Light No. 9, 2022, oil on canvas, 120 cm × 150 cm (47-1/4" × 59-1/16")
Green Wall - White Bed, 2008, oil on canvas, 59" x 78-3/4" (150 cm x 200 cm)
The End of 2022, 2023, oil on paper with paper and magazine collage, 49.5 cm × 60 cm (19-1/2" × 23-5/8") , each
The End of 2022, 2023, oil on paper with paper and magazine collage, 49.5 cm × 60 cm (19-1/2" × 23-5/8") , each
Three Major Pics- Colorcast, 2020, oil on paper with paper collage, 102 cm × 82 cm (40-3/16" × 32-5/16")
张晓刚是中国当代象征主义和超现实主义画家。他的“血统”系列画作主要是单色的、风格化的中国人肖像，通常有一双又大又黑的瞳孔，摆出僵硬的姿势，故意让人想起20世纪50年代和60年代的全家福。最近，他还创作了雕塑，首次将他的“血统——大家庭”系列肖像中的许多人物翻译成三维。这些雕塑出现在许多展览中，并延续了他作为中国领先、最受欢迎的当代艺术家之一的工作。Zhang Xiaogang is a contemporary Chinese symbolist and surrealist painter. Paintings in his Bloodline series are predominantly monochromatic, stylized portraits of Chinese people, usually with large, dark-pupiled eyes, posed in a stiff manner deliberately reminiscent of family portraits from the 1950s and 1960s. Recently, he also created sculptures, translating for the first time into three dimensions many characters of the sort seen in his "Bloodlines—Big Family" portrait series. These sculptures have featured in many exhibits and continue his work as one of China's leading, and most highly sought-after, contemporary artists.
