中国书画报首都艺术中心 首都书画院 《聚贤堂》名家经典 国际传播 荣誉出品
Chinese painting and calligraphy newspaper capital art center capital painting and calligraphy academy 'ju xian tang' famous classic international dissemination honor production
张艺，当代工笔画坛的一位为人熟知的著名画家。她为人谦和、低调，作品大方、现实，讲学热情、真诚。她以具象写实的工笔画法，作品以社会各界人物为载体，重在传递画面中那番宁静圣洁的内容与人物精神世界，使得工笔画坛上又增添了一份生力军。
Zhang yi is a well-known and famous painter in contemporary meticulous painting circle. She is modest and low-key, her works are generous and realistic, and she gives lectures with enthusiasm and sincerity. Her works, with figures from all walks of life as the carrier, focus on conveying the quiet and holy content and the spiritual world of characters in the picture, which adds a fresh force to the meticulous painting circle.
张艺；南京邮电大学传媒与艺术学院教授 、硕士生导师。
中国美术家协会会员
中国工笔画学会理事
中国女画家学会理事
《毕业班的初夏》入选第十一届全国美展，《校园向日葵》入选百家金陵中国画展
《仲夏织梦》获“全国首届现代工笔画大展”金奖，
《飘动的云》（合作）获“第二届全国‘徐悲鸿奖’中国画展”唯一的金奖，
《心弦》获首届全国中国画线描艺术展优秀奖（最高奖），
《A6教室》获全国第六届工笔画大展优秀奖（最高奖），
《月儿》获第七届中国美术家协会会员中国画精品展优秀奖（最高奖），
2012年获江苏省人民政府主办的“2012傅抱石奖·江苏中国画作品展”提名奖，多幅作品被《美术》杂志选用发表等等……。
张艺的艺术成就，日益受到艺术界业内人士的称道和瞩目！
zhangyi；professor，school of media and art, nanjing university of posts and telecommunications.
Member of Chinese artists association
Director of Chinese fine Chinese painting society
Director of Chinese society of female painters
'Early summer of the graduating class' was selected to the 11th national art exhibition, and 'campus sunflower' was selected to the baccarat China exhibition
'Dream weaving in midsummer' won the gold medal of 'the first national modern fine painting exhibition'.
'Flying clouds' (cooperation) won the only gold medal in 'the second national 'xu beihong award' China exhibition'.
'Heartstrings' won the first national Chinese painting line drawing art exhibition excellence award (the highest award),
A6 classroom won the excellence award (the highest award) of the 6th national fine painting exhibition.
'Moon' won the excellence award (the highest award) of the seventh China artists association member Chinese painting fine works exhibition.
In 2012, he was nominated for the '2012 fu baoshi prize · jiangsu Chinese painting exhibition' sponsored by the people's government of jiangsu province, and many of his works were selected and published by art magazine. .
Zhang yi's artistic achievements, increasingly by the art industry praise and attention!
一个优秀的画家，不仅需要扎实的艺术功底和全面的艺术素养，还需要有独立的艺术见解和独到的理论思考，才能使作品具有文化的深度和审美的高度。
历史上开宗立派的大家，无一不是具有这样的禀赋。现代画家中黄宾虹、潘天寿、徐悲鸿、傅抱石等均为我们提供了典范。
张艺的工笔人物画正是遵循着前贤的经验，不断调整“道”与“技”之间的平衡。
无论构图、设色和造型、勾线，既有学院派的严谨，又有文人画的典雅，既不失传统的韵味、又充溢着现代气息。
An excellent painter not only needs solid artistic foundation and comprehensive artistic accomplishment, but also needs to have independent artistic insights and unique theoretical thinking, so as to make his works have cultural depth and aesthetic height.
In the history of the establishment, there is no one who did not have such an endowment. Modern painters, such as huang binhong, pan tianshou, xu beihong and fu baoshi, have all provided models for us.
Zhang yi's meticulous figure painting is exactly following the experience of his predecessors, constantly adjusting the balance between 'tao' and 'technique'.
No matter the composition, color, shape and line drawing, it has both academic rigor and literati painting elegance, not only losing the traditional charm, but also overflowing with modern flavor.
尤其是对于当代女大学生现实生活的表现，为我们打开了一扇透视她们心灵的窗户。一个个充满青春气息的形象，娴雅至纯，目光清澈，神态安详婉约而隽永、宁静而致远。
既时尚又端庄，既传统又现代，纯美的东方青年女性形象，彰显的是从悠长的历史中走来的美的化身，画面充溢着时代气息。
这正是由于张艺对于作品中人物的文化定位，使得我们的目光没有停留在画中人物姣好的面容和婀娜的身姿上。而是透过人物的表象，体味到她们宁静、澄明的精神世界。
Especially for the contemporary female college students real life performance, for us to open a window into their hearts. Each is full of the image of youthful breath, elegant to pure, clear eyes, demeanor serene and graceful and meaningful, quiet and far.
Both fashionable and dignified, both traditional and modern, pure and beautiful image of Oriental young women, highlighting the embodiment of beauty from the long history, the picture is full of the breath of The Times. This is precisely because of zhang yi's cultural positioning of the characters in the works, our eyes do not stay on the beautiful faces and graceful posture of the characters in the paintings. But through the appearance of the characters, to appreciate their quiet, clear spiritual world.
英国形式主义美学家克莱夫·贝尔（Clive Bell，1881—1964）认为美是一种“有意味的形式”。
他认为，在不同的艺术作品中，线条、色彩等，以某种特殊方式组成某种形式或形式间的关系，激起我们的审美感情。
这种线、色的关系和组合，这些审美的感人的形式，就是“有意味的形式”。
张艺的工笔人物作品，通过题材内容的表象，更多解读的是精神内容，具有了人性美的深度。
同时，也具有了文学性的内涵，创造了一种“有意味的形式”，这是绘画艺术对人的表现在语意结构上的超越。
British formalist aesthetician Clive Bell (1881_1964) believed that beauty was a 'meaningful form'.
He believes that in different works of art, lines, colors, etc. form a certain form or the relationship between forms in a certain special way and arouse our aesthetic feelings.
This line, color relations and combinations, these aesthetic moving form, is 'meaningful form.'
Zhang yi's meticulous character works, through the representation of the theme content, more interpretation is the spiritual content, with the depth of human beauty.
At the same time, it also has the connotation of literature, creating a 'meaningful form', which is the transcendence of painting art to human expression in semantic structure.
人格的条件与艺术素养与大写意画家相比，工笔画家一般来说，都具有较为理性的个人气质。
张艺具备较强的逻辑思维能力和归纳能力，但她又是一个具有浪漫和内在激情的人。通过工笔人物画艺术的探索和创作，很好地实现了理性思维和激情创造的统一。
她热爱生活、与人为善，教书育人、为人师表，她热爱学生，也深受学生的爱戴。
她上课时，有许多学生集体逃课去“蹭”她的课。在学校一年一度的学生评教中，有学生这样写道：考上大学后很迷茫，打不起精神学习。选了张老师的课，她的认真敬业，她的耐心和关切打动了我，我变得喜欢学习了……。
许多毕业很多年的学生依然和她保持联系，这缘于她的人格魅力和深厚的艺术学养。
Compared with the freehand brushwork painters, the fine brush painters generally have more rational personal temperament.
Zhang yi has strong logical thinking ability and inductive ability, but she is also a person with romance and inner passion. Through the exploration and creation of meticulous figure painting art, the unification of rational thinking and passion creation is well realized.
She loves life and is kind to others. She teaches and teaches others. She loves her students and is loved by them.
When she was in class, a lot of students skipped classes to 'rub' her class. In the school's annual student evaluation of teaching, some students wrote: after entering college, I felt confused and couldn't get up the spirit to study. I chose miss zhang's class, her earnest dedication, her patience and concern touched me, I became like learning...... .
Many students who graduated many years ago still keep in touch with her, because of her charm of personality and profound artistic education.
由于其个体的特质使然，她的信念和价值观、她的意志和兴趣、她的爱心和热情得以统一在智性和德性的人格系统中，也使她的艺术能够充分地展开。
对一个画家来说，艺术语言的锤炼和创造的过程，是登上成功彼岸必须经历的过程。
在艺术史的星河中熠熠生辉的，一定是那些为世人所公认的艺术语言的独创者。
张艺先后就读于中国戏曲学院和中央美术学院，熟悉西方古典绘画和现代绘画的精髓，对中国绘画史则更是有着深刻的理解。
在长期的艺术创作和教学、研究中，从继承传统入手，学习古典绘画经典和前辈画家的经验，从写生中体验人物的情感和精神世界。
在多年的工笔人物画创作中，其题材从少数民族女青年和时尚女孩。
直到现在，锁定当代女大学生作为创作的载体，阐述艺术理想，抒发对现实世界的人生态度。
Due to her individual characteristics, her belief and values, her will and interest, her love and passion are unified in the personality system of wisdom and virtue, which also enables her art to fully develop.
For a painter, the tempering and creation of artistic language is a necessary process to reach the other shore of success.
Those who shine brightly in the stars of art history must be the original creators of art language recognized by the world.
Zhang yi has studied at the Chinese opera academy and the central academy of fine arts. He is familiar with the essence of western classical painting and modern painting, and has a profound understanding of the history of Chinese painting.
In the long-term artistic creation, teaching and research, starting from inheriting the tradition, learning from the classical painting classics and the experience of previous painters, and experiencing the emotional and spiritual world of characters from the sketch.
In years of meticulous figure painting creation, its subject matter from the minority female youth and fashion girls.
Until now, we have targeted contemporary female college students as the carrier of creation, expounded artistic ideals, and expressed their attitude towards life in the real world.
列宾的《伏尔加河上的纤夫》、《查波罗什人写信给苏丹王》、《意外归来》，苏里科夫的《女贵族莫洛卓娃》列维坦的风景画中极富诗意的色调设置，堪称绘画艺术中构图的经典。
中国东晋的顾恺之，唐代张萱、周昉、阎立本，宋代李公麟、李嵩，明代陈洪绶，现代画家叶浅予、黄胄的绘画都曾给予张艺诸多启示。
她学过版画、雕望，大学的专业是舞台美术设计，电影《牡丹亭》就是张艺的人物造型设计。
对画面的空间结构、色彩的真实与诗意、造型的写实与夸张、线描的节奏与韵律等方面进行了深入的理论研究与创作实践。
The trayers on the volga river by libin, letters from charoshites to the sultan, unexpected return, surikov's molodrova, the aristocratic woman, the rich poetic tone Settings in levitan's landscape paintings, can be regarded as the classic composition in the art of painting.
Gu kaizhi in eastern jin dynasty, zhang xuan, zhou fang and yan liben in tang dynasty, li gonglin and li song in song dynasty, Chen hongshou in Ming dynasty, modern painters ye qianyu and huang zhou have all given zhang yi many inspirations.
She has been engaged in sculpture creation, opera figure modeling and costume design successively, and conducted in-depth theoretical research and creative practice on the spatial structure of pictures, the truth and poetry of colors, the realism and exaggeration of modeling, and the rhythm and rhythm of line drawing.
她学习传统而不囿于传统，学习他人而不随潮流。虽生活、工作于大都市，却不问寒暑秋冬。远离城市的喧嚣，沉浸在艺术的天地里，全身心投入到工笔人物画的创作中。
在艺术语言的探索中“尽精微，致广大”，画面的构成气局开阔，即使是小品也不纤弱。
虽是以女大学生为画面主体，却无阴柔、脂粉之气，而是健康阳光，显得格调不凡。
She learns from tradition without being bound by tradition. She learns from others without following the trend. Although I live and work in a big city, I don't care about winter and summer. Far away from the hustle and bustle of the city, immersed in the world of art, devoted to the creation of meticulous figure painting.
In the exploration of artistic language, 'as subtle as possible, as broad as possible', the composition of the picture is broad, and even the sketch is not delicate.
Although it is a female college students as the main picture, but no Yin soft, powder gas, but health sunshine, appear extraordinary style.
艺术语言的锤炼与创造众所周知，中国工笔画中的线不是简单地用于分割形体而构成画面的。
它具有造型、表意的特征，既有西洋绘画中素描塑形的功能，又能够体现表现对象的精神特征和作者的情感。
因此，以线造形是中国工笔画的重要特征，也是一个创造性的过程。甚至可以认为，线描的质量在很大程度上决定着作者绘画成就的高下。
As is known to all, the lines in Chinese fine painting are not simply used to divide the form and form the picture.
It has the features of shape and meaning, not only has the function of sketching in western painting, but also can reflect the spiritual characteristics of the object and the emotion of the author.
Therefore, line shaping is an important feature of Chinese traditional painting and a creative process. It can even be argued that the quality of line drawing largely determines the success of an author's painting.
张艺画中的线描富于表现力，这得益于在她长期的美术教学中对传统经典的研究和创作实践。
线条的粗细、浓淡、刚柔、虚实、疏密、长短、起承转合均可见出匠心所在。
与西洋绘画相比，中国工笔画中的线更具主观因素，但如果一味强调主观而失却了对表现主体的现实观察，则容易流于形式。
她的线描和造型融于一体，既有书法的灵动美，又不失之于工致与力度，体现了主客观的统一和谐。这取决于她对于艺术创作规律的深刻理解和创作过程中的倾心投入。
以线表意，以线抒情，在线中见出她的审美理想和艺术格调。
Zhang yi's line drawing is full of expressiveness, which benefits from her research and creation practice of traditional classics in her long-term art teaching.
The thickness, thickness, firmness and softness of the lines, virtual and real, density, length and length, as well as the connection can be seen to show ingenuity.
Compared with western painting, the lines in Chinese fine brush painting have more subjective factors. However, if the emphasis on subjectivity is lost in the reality observation of the subject, it is easy to become formalistic.
Her line drawing and modeling are integrated into one body, which not only has the clever beauty of calligraphy, but also does not lose the sense of workmanship and strength, reflecting the unity and harmony of subjectivity and objectivity. It depends on her profound understanding of the rules of artistic creation and her devotion in the process of creation.
Her aesthetic ideal and artistic style can be seen online.
张艺善于控制色彩的基调，每一幅画都会有一个大的基调，同时注意色彩的微妙变化。
通过局部色彩的色相对比、纯度对比和明度对比，形成虚实相生、交相呼应的色彩韵味，素雅而不张扬，注重意境与质感的表现。
看她的画，能够感觉到音乐般的节奏与韵律。全面的艺术素养尤其是“央美”体系的素描功力无疑是张艺得以实现绘画理想的前提。
Zhang yi is good at controlling the tone of color, each painting will have a big tone, and pay attention to the subtle changes of color.Through the contrast of partial colors in hue, purity and brightness, it forms the color lasting appeal of virtual and real life and mutual echo, simple but elegant and not publicity, paying attention to the performance of artistic conception and texture.
Looking at her paintings, I can feel the rhythm and rhythm like music. Comprehensive artistic accomplishment, especially the sketch ability of 'central beauty' system, is undoubtedly the premise for zhang yi to realize his ideal painting.
西洋素描与传统中国工笔画分属于两大文化体系，作为一名当代画家，如果仅从一条道行进而期望获得成功是困难的。
因为两大体系在各自的发展中具有各自的历史文化积淀，具有各自的审美特质，具有不可替代性。
而将素描的直觉感受和视觉的真实效果融入以单线平涂、三矾九染为特征的传统工笔画，是创造新工笔画绘画语言的有效途径。
有鉴于此，她在生活真实与艺术表现、直觉表达与情感抒发、深入刻画与精神内涵、西方传统与东方韵味，寻找到了内在的关联。
Western sketch and traditional Chinese fine brush painting belong to two major cultural systems. As a contemporary painter, it is difficult to expect success from only one path
Because the two systems in their respective development have their own historical and cultural accumulation, have their own aesthetic characteristics, with irreplaceable.
It is an effective way to create a new fine brush painting language to integrate the intuitive feeling of drawing and the real visual effect into the traditional fine brush painting, which is characterized by single line flat painting and trialon painting.
In view of this, zhang yi has found the inner connection in the real life and artistic expression, intuitive expression and emotional expression, in-depth description and spiritual connotation, western tradition and Oriental charm.
张艺擅长于服装和各类器具质地的表现。牛仔布、水洗布、丝绸、毛衣、皮具和金属、木材、毛发等，体现出女性画家特有的敏感和敏锐。
她并不一味强调画面形象的细腻、精致，而是重在情感的抒发，重在作品的意境、“有意味”，表现自然生命的意象特征。
她注重人物个性的微妙特征，在宁静中追求单纯，在圣洁中蕴含完美，纯情与秀美以诗意形式展现。
Zhang yi is good at showing the texture of clothes and all kinds of utensils. Denim, wash cloth, silk, sweaters, leather goods and metal, wood, hair, etc., reflect the unique sensitivity and sensitivity of female painters.
She does not blindly emphasize the delicacy and delicacy of the images, but emphasizes the expression of emotions, the artistic conception and 'meaning' of the works, and the image characteristics of natural life.
She pays attention to the subtle characteristics of personality, in the quiet pursuit of simplicity, in the sanctity of the perfect, pure and beautiful
优秀的艺术品，永远是人们前进中的精神粮食，它们体现的是艺术的内在结构于外在形态的完美结合，以及贴近艺术本质的永恒魅力。
张艺正是以她的工笔人物画创作，实践着艺术的内在结构于外在形态的完美结合。
在形式与艺术的本质内涵相结合的基础上，以她的才情和智慧，创造出独有的工笔人物画技法，建立了完整的个性化的艺术语言符号。
Mr. Liu dawei said, 'excellent works of art are always the spiritual food for people to move forward. They reflect the perfect combination of the internal structure and external form of art, as well as the eternal charm close to the essence of art.'
It is with her meticulous figure painting creation that zhang yi practices the perfect combination of the internal structure of art and the external form.
Based on the combination of form and the essence of art, with her talent and wisdom, she created unique meticulous figure painting techniques and established a complete personalized artistic language symbol.
张艺的工笔人物，将创作与社会发展相融合，具有高的精神文化与艺术价值。
她的作品，是呈现给我们真善美的结合体， 引领社会风尚，代表一种主流艺术文化的发展方向，体现了一种和平、和谐新的艺术境界。
这是当代中国人物画发展的方向，她的艺术思想和创作值得弘扬和倡导，她的艺术成就更是值得我们期待！
Zhang yi's meticulous figures, combining creation with social development, have high spiritual culture and artistic value.
Her works are a combination of truth, goodness and beauty presented to us, leading the social fashion, representing the development direction of a mainstream art culture, and reflecting a new artistic realm of peace and harmony.
This is the development direction of contemporary Chinese figure painting. Her artistic thoughts and creation are worth carrying forward and advocating, and her artistic achievements are worth looking forward to.
中国书画报首都艺术中心 《 聚贤堂 》 国际传播；HF177341
'Juxian hall' Chinese calligraphy and painting newspaper capital art center HF177341
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